James I. Porter (ed.), Constructions of the Classical Body: University of Michigan Press (1999) [Introduction; Smashing Bodies: The Corinthian Tydeus and Ismene Amphora (Louvre E640); Reflections on Erotic Desire in Archaic and Classical Greece; Dirt and Desire: The Phenomenology of Female Pollution in Antiquity; Pindar and the Prostitutes, or Reading Ancient “Pornography”; From a Grin to a Death: The Body in the Greek Discovery of Politics; Sexual Bodybuilding: Aeschines against Timarchus; Odor and Power in the Roman Empire; Cicero’s Head; The Roman Blush: The Delicate Matter of Self-Control; Anti-Pygmalion: The Praeceptor in Ars Amatoria, Book 3; The Suffering Body: Philosophy and Pain in Seneca’s Letters; Chronic Pain and the Creation of Narrative; Truth Contests and Talking Corpses; Sweet Honey in the Rock: Pleasure, Embodiment, and Metaphor in Late-Antique Platonism; Ovid’s Body; Herculean Muscle!: The Classicizing Rhetoric of Bodybuilding] / bmcr
F. Bessone, “Medea’s response to Catullus: Ovid, Heroides 12.23-4 and Catullus 76.1-6,” Classical Quarterly 45.2 (1995) 575-578 / full text
P. Bing and R. Cohen, Games of Venus: an anthology of Greek and Roman erotic verse from Sappho to Ovid, New York and London (1991) / bmcr
M. Buchan, “Ovidius Imperamator: Beginnings and Endings of Love Poems and Empire in the Amores,” Arethusa 28.1 (1995) 53ff.
C. F. Ahern, Jr., “Ovid as vates in the proem to the Ars Amatoria,” Classical Philology 85 (1990) 44-49 / full text
Cahoon, Leslie, “A Program for Betrayal: Ovidian Nequitia in Amores 1.1, 2.1 and 3.1,” Helios 12 (1985) 29-39
Cahoon, Leslie, “The Bed as Battlefield: Erotic Conquest and Military Metaphor in Ovid’s Amores,” Transactions of the American Philological Association 118 (1988) 293-307 / full text
S. Casali, “Erato e Medea, Talia e Pasifae nell’Ars Amatoria,” MD 34 (1995) 199-205
M. Desmond, “When Dido Reads Virgil: Gender and Intertextuality in Ovid’s Heroides 7,” Helios 20 (1993) 56-68
Lillian E. Doherty, Gender and the Interpretation of Classical Myth, London: Duckworth (2001) [ISBN 0-7156-3042-3] / bmcr
Lowell Edmunds and Shirley Werner, Tools of the Trade for the Study of Roman Literature / web link
J. S. C. Eidinow, “A Note on Ovid Ars Amatoria 1.117-19,” American Journal of Philology 114.3 (1993) 413-417 / full text
Fantham, Elaine, “Sexual Comedy in Ovid’s Fasti: Sources and Motivation,” Harvard Studies in Classical Philology 87 (1983) 185-216 / full text
Trevor Fear, “The Poet as Pimp: Elegiac Seduction in the Time of Augustus,” Arethusa 33 no. 2 (2000) 217-40
Fredrick, David, “Reading Broken Skin: Violence in Roman Elegy,” in Roman Sexualities edited by Hallett, Judith P. and Skinner, Marilyn B., Princeton: Princeton University Press (1997) 172-193 / bmcr
Laurel Fulkerson, “Omnia vincit amor: why the Remedia fail,” Classical Quarterly 54.1 (2004) 211-223 / pdf
G.P.Goold, “The Cause of Ovid’s Exile,” Illinois Classical Studies 8 (1983) 84-107
R. Gentilcore, “The Landscape of Desire: The Tale of Pomona and Vertumnus in Ovid’s Metamorphoses,” Phoenix 49.2 (1995) 110-120
R. K. Gibson, “How to win girlfriends and influence them: amicitia in Roman love elegy,” PCPhS 41 (1995) 62-82
W. Ginsburg, “Ovid and the Problem of Gender,” Mediaevalia 13 (1987) 9-28
C. M. C. Green, “Terms of Venery: Ars Amatoria I,” Transactions of the American Philological Association 126 (1996) 221-263 / full text
E. Greene, “Sexual Politics in Ovid’s Amores: 3.4, 3.8, and 3.12,” Classical Philology 89 (1994) 344-350 / full text
Greene, Ellen, The Erotics of Domination: Male Desire and the Mistress in Latin Love Poetry, Baltimore: Johns Hopkins University Press (1999) / bmcr
N. P. Gross, “Ovid, Amores 1.8: Whose Amatory Rhetoric?,” CW 89.3 (1996) 197ff.
J. P. Hallett, “The Role of Women in Roman Elegy: Counter-Cultural Feminism,” in Women in the Ancient World. The Arethusa Papers edited by J. Peradotto and J. P. Sullivan (1984) 241-262
Hallett, Judith, “Contextualizing the Text: The Journey to Ovid,” Helios 17 (1990) 187-95
Harvey, Elizabeth D., “Ventriloquizing Sappho: Ovid, Donne, and the Erotics of the Feminine Voice,” Classical Reviewiticism 21 (1989) 115-138
J. Hemker, “Rape and the Founding of Rome,” Helios 12 (1985) 41-47
S. Hinds, “Medea in Ovid: Scenes of the Life of an Intertextual Heroine,” Materiali e discussioni per l’analisi dei testi classici 30 (1993) 9-47
S. Hinds, The Metamorphosis of Persephone: Ovid and the Self-Conscious Muse, Cambridge (1987)
J.C.Thibault, The Mystery of Ovid’s Exile, Berkeley (1964)
Sharon L. James, Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy, Berkeley: University of California Press (2003) [ISBN 0-520-23381-6] / bmcr
James, Sharon, L., “Slave-Rape and Female Silence in Ovid’s Love Poetry,” Helios 24.1 (1997) 60-76
M. Janan, “There beneath the Roman ruin where the purple flowers grow: Ovid’s Minyeides and the feminine imagination,” American Journal of Philology 115 (1994) 427-448 / full text
P. J. Johnson, “Constructions of Venus in Ovid’s Metamorphoses V,” Arethusa 29.1 (1996) 125
W. R. Johnson, “The Rapes of Callisto,” Classical Journal 92.1 (1996) 9-24
A. M. Keith, “Corpus Eroticum: Elegiac Poetics and Elegiac Puellae in Ovid’s Amores,” CW 88.1 (1994) 27
King, Richard J., “Ritual and Autobiography: The Cult of Reading in Ovid’s Tristia 4.10,” Helios 25.1 (1998) 99-119
Lively, Genevieve, “Tiresias/Teresa: A ‘Man-Made-Woman’ in Ovid’s Metamorphoses,” Helios 3.318-38 (2003) 147-62
J. de Luce, “‘O, For a Thousand Tongues to Sing’: A Footnote on Metamorphosis, Silence, and Power,” in Women’s Power, Man’s Game: Essays on Classical Antiquity in Honor of Joy King edited by Mary D Forest: Bolchazy-Carducci (1993)
J. F. Makowski, “Bisexual Orpheus: Pederasty and Parody in Ovid,” Classical Journal 92.1 (1996) 25-38
E. Marder, “Disarticulated Voices: Feminism and Philomela,” Hypatia 7.2 (1992:) 148-166
Laura McClure, Sexuality and Gender in the Classical World: Blackwell Publishers (2002) [1. Editor’s Introduction: Laura McClure. Part I: Greece: 2. Classical Attitudes to Sexual Behaviour: K. J. Dover. Excerpt:: Aristophanes’ Speech from Plato, Symposium 189d7-192a1. 3. Double-Consciousness in Sappho’s Lyrics: J. J. Winkler. Excerpt:s: Sappho 1 and 31; Homer, Iliad 5.114-132; Odyssey 6.139-85. 4. Bound to Bleed: Artemis and Greek Women: H. King. Excerpts: Hippocrates, On Unmarried Girls; Euripides, Hippolytus 59-105. 5. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama: F. Zeitlin. Excerpts: Sophocles, Women of Trachis 531-587, 1046-1084; Euripides, Bacchae 912-944. Part II: Rome: 6. The Silent Women of Rome: M. I. Finley. Excerpts: Funerary Inscriptions: CE 81.1-2, 158.2, 843, 1136.3-4; ILS 5213, 8402, 8394; CIL 1.1211, 1.1221, 1.1837. 7. The Body Female and the Body Politic: Livy’s Lucretia and Verginia: S. R. Joshel. Excerpts: Livy, On the Founding of Rome, 1.57.6-59.6. 8. Mistress and Metaphor in Augustan Elegy: M. Wyke. Excerpts: Propertius, 1.8a-b and 2.5; Cicero, In Defense of Marcus Caelius 20.47-21.50. 9. Pliny’s Brassiere. Excerpt:: Pliny, Natural History 28.70-82. Part III: Classical Tradition: 10. “The Voice of the Shuttle Is Ours.” P. K. Joplin. Excerpt: Ovid, Metamorphoses 6.424-623.] / bmcr
M. Meyerowitz, Ovid’s Games of Love, Detroit (1985)
M. Meyerowitz, “The Domestication of Desire: Ovid’s Parva Tabella and the Theater of Love,” in Pornography and Representation in Greece and Rome edited by Amy Richlin, Oxford: Oxford UP (1991) 131-157 / bmcr
Dominic Montserrat, Changing bodies, changing meanings: studies on the human body in antiquity, London: Routledge (1998) [Contributors: Angus Bowie, Gillian Clark, Richard Hawley, Lynn Meskell, Dominic Montserrat, Penelope Murray, Jane Stevenson, Nicholas Vlahogiannis, Terry Wilfong] / bmcr
K. Sara Myers, “The Poet and the Procuress: The Lena in Latin Love Elegy,” The Journal of Roman Studies 86 (1996) 1-21 / full text
A. G. Nikolaidis, “On a Supposed Contradiction in Ovid (Medicamina Faciei 18-22 vs. Ars Amatoria 3.129-32),” American Journal of Philology 115.1 (1994) 97-103 / full text
G. Nugent, “This Sex Which Is Not One: De-Constructing Ovid’s Hermaphrodite,” Differences: A Journal of Feminist Cultural Studies 2.1 (1990) 160-85
Nugent, Georgia, “This Sex Which Is Not One: De-Constructing Ovid’s Hermaphrodite,” Differences 2.1 (1990) 160-85
O’Gorman, Ellen, “Love and the Family: Augustus and the Ovidian Legacy,” Arethusa 30.1 (1997) 103-123 / web link
James J. O’Hara, “The Significance of Vergil’s Acidalia Mater, and Venus Erycina in Catullus and Ovid,” Harvard Studies in Classical Philology 93 (1990) 335-342 / full text
H. N. Parker, “Love’s Body Anatomized: The Ancient Erotic Handbooks and the Rhetoric of Sexuality,” in Pornography and Representation in Greece and Rome edited by Amy Richlin, Oxford: Oxford UP (1991) 90-111 / bmcr
Perkins, Caroline A., “Ovid’s Erotic Vates,” Helios 27.1 (2000) 53-62
Perkins, Caroline A., “Ovid’s Erotic Vates,” Helios 27.1 (2000) 53-62
Nancy Sorkin Rabinowitz and Lisa Auanger, Among Women: From the Homosocial to the Homoerotic in the Ancient World: University of Texas Press (2002) [Introduction (Nancy Sorkin Rabinowitz); Imag(in)ing a Women’s World in Bronze Age Greece: The Frescoes from Xeste 3 at Akrotiri, Thera (Paul Rehak); Aphrodite Garlanded: Erts and Poetic Creativity in Sappho and Nossis (Marilyn B. Skinner); Subjects, Objects, and Erotic Symmetry in Sappho’s Fragments (Ellen Greene); Excavating Female Homoeroticism in Ancient Greece: The Evidence from Attic Vase Painting (Nancy Sorkin Rabinowitz); Women in Relief: “Double Consciousness” in Classical Attic Tombstones (John G. Younger); Glimpses through a Window: An Approach to Roman Female Homoeroticism through Art Historical and Literary Evidence (Lisa Auanger); Ovid’s Iphis and Ianthe: When Girls Won’t Be Girls (Diane T. Pintabone); Lucian’s “Leaena and Clonarium”: Voyeurism or a Challenge to Assumptions? (Shelley P. Haley); “Friendship and Physical Desire”: The Discourse of Female Homoeroticism in Fifth-Century CE Egypt (Terry G. Wilfong) ]
Shilpa Raval, A Lover’s Discourse”: Byblis in Metamorphoses 9 34.3 (2001) / web link
Sean Redmond, Recent Bibliography on Ovid / web link
A. Richlin, “Reading Ovid’s Rapes,” in Pornography and Representation in Greece and Rome edited by Amy Richlin, Oxford: Oxford UP (1991) 158-179 / bmcr
R. Robert, “Ars regenda Amore. Seduction erotique et plaisir esthetique: de Praxitele a Ovide,” MEFRA 104.1 (1992) 373-438
P.A. Rosenmeyer, “Ovid’s Heroides and Tristia: Voices from Exile,” Ramus 26 no. 1 (1997) 29-56
Charles Segal, “Ovid’s Meleager and the Greeks: Trials of Gender and Genre,” HSPh 99 (1999) 301-340
A. Sharrock, Seduction and Repetition in Ovid’s Ars Amatoria II, Oxford (1994)
A. Sharrock, “Womanufacture,” Journal of Roman Studies 81 (1991) 36-49 / full text
J. F. Siegel, Child-Feast And Revenge: Ovid And The Myth Of Procne, Philomela and Tereus, Dissertation, Rutgers (1994)
Simpson, C.J., “Livia and the Constitution of the Aedes Concordiae. The Evidence of Ovid Fasti I.637ff.,” Historia. Zeitschrift für Alte Geschichte 40 (1991) 449-455
R. A. Smith, “Fantasy, Myth, and Love Letters: Text and Tale in Ovid’s Heroides,” Arethusa 27.2 (1994) 247ff.
Stirrup, Barbara E., “Techniques of Rape: Variety of Wit in Ovid’s ‘Metamorphoses’,” Greece & Rome 24 (1977) 170-184 / full text
Toohey, P., “Eros and eloquence: modes of amatory persuasion in Ovid’s Ars Amatoria,” in Roman eloquence: rhetoric in society and literature edited by W. J. Dominik, New York: Routledge (1997) 198-211
F. Verducci, “The Contest of Rational Libertinism and Imaginative License in Ovid’s Ars Amatoria,” Pacific Coast Philology 15 (1980) 29-39
S. Viarre, “L’androgynie dans les Metamorphoses d’Ovide. A la recherche d’une methode de lecture,” in Journées Ovidiennes de Parmenie. Actes du Colloque sur Ovide edited by J. M. Frecaut and D. Porte, Brussels (1985)
Voit, L., “Dido bei Ovid (Epist.7),” Gymnasium 101 (1994) 338-348
Stephen M. Wheeler, “Changing Names: The Miracle of Iphis in Ovid Metamorphoses 9,” Phoenix 51 no. 2 (1998) [In reworking the Hellenistic story of “The Maid’s Metamorphosis,” Ovid invents new names for his characters, the etymologies of which help define the role of each character. He links the name of Iphis with the etymological nexus vir-vires-vir and thereby provides an interpretive key to the construction of the protagonist’s ambiguous sexual identity. ]
Gareth D. Williams, “Writing in the Mother-Tongue: Hermione and Helen in Heroides 8 (A Tomitian Approach),” Ramus 26 no. 2 (1997) 113-137
M. Wyke, “The Elegiac Woman at Rome,” PCPS 213 n.s. 33 (1987) 153-78
Maria Wyke, The Roman Mistress: Ancient and Modern Representations., Oxford: Oxford University Press (2002) [1. Part 1. Love Poetry Mistress and Metaphor in Augustan Elegy; 2. Written Women: Propertius’ scripta puella (2. 10-13); 3. The Elegiac Woman at Rome: Propertius Book 4; 4. Reading Female Flesh: Ovid Amores 3. 1; 5. Part 2. Reception Taking the Woman’s Part: Gender and Scholarship on Love Elegy; 6. Meretrix regina: Augustan Cleopatras; 7. Oriental Vamp; Cleopatra 1910s; 8. Glamour Girl: Cleopatra 1930s – 1960s; 9. Meretrix Augusta: Messalina 1870s – 1920s; 10. Suburban Feminist: Messalina 1930s – 1970s] / bmcr
Wyke, Maria, “Taking the Woman’s Part: Engendering Roman Love Elegy,” in Roman Literature and Ideology: Ramus Essays for J.P. Sullivan edited by A. J. Boyle, Bendigo, Australia: Aureal Publications (1995) 110-128 / bmcr
Andrew Zissos, “The Rape of Proserpina in Ovid Met. 5.341-661: Internal Audience and Narrative Distortion,” Phoenix 53 (1999) 97-113