D. Armstrong and E. A. Ratchford, “Iphigenia’s Veil: Aeschylus, Agamemnon 228-48,” BICS 32 (1985) 1-12
D. Armstrong, “Sophocles’ Trachiniae 559ff.,” BICS 33 (1986) 101-2
S. A. Barlow, “Stereotype and Reversal in Euripides’ Medea,” Hermes 118 (1990) 502-505
S. A. Barlow, “Stereotype and Reversal in Euripides’ Medea,” Greece & Rome 36 (1989) 158-171 / full text
S.A. Barlow, “Euripides’ Medea: a subversive play?,” BICS Supplement edited by A. Griffiths 66, London (1995) 36-45 / bmcr
G. G. Betts, “The Silence of Alcestis,” Mnemosyne 18 (1965) 181-182
C. R. Beye, “Alcestis and Her Critics,” GRBS 2 (1959) 109-127
D. Boedeker, “Euripides’ Medea and the Vanity of Logoi,” Classical Philology 86 (1991) 95-112 / full text
E. Bongie, “Heroic Elements in the Medea of Euripides,” Transactions of the American Philological Association 107 (1977) 27-56 / full text
S. de Bouvrie, Women in Greek Tragedy: An Anthropological Approach, Oslo: Norwegian University Press (1990)
Laurel Bowman, “Klytaimnestra’s Dream: Prophecy in Sophocles’ Electra,” Phoenix 51 no. 2 (1998) [The use of prophecy in Sophocles’ Elektra emphasizes the play’s primarily political theme, the transfer of power from father to son. The lack of direct reference to Klytaimnestra in Apollo’s oracle, and Klytaimnestra’s absence from her own prophetic dream are mirrored in her exclusion and Electra’s from the political activity of the play, and give prominence to the actions of the males, Orestes and Aegisthus.]
E. M. Bradley, “Admetus and the Triumph of Failure in Euripides’ Alcestis,” Ramus 9 (1980) 112-127
A. L. Brown, “The Erinyes in the Oresteia: Real Life, the Supernatural, and the Stage,” Journal of Hellenic Studies 103 (1983) 13-34 / full text
W. Burkert, “Greek Tragedy and Sacrificial Ritual,” GRBS 7 (1966) 87-121
A. Burnett, “Medea and the Tragedy of Revenge,” Classical Philology 68.1 (1973) / full text
A. P. Burnett, “The Virtues of Admetus,” Classical Philology 60 (1965) 240-255 / full text
J. J. Clauss and S. I. Johnston, Medea: Essays on Medea in Myth, Literature, Philosophy and Art, Princeton (1997)
S. G. Cole, “Procession and Celebration at the Dionysia,” in Theater and Society in the Classical World edited by R. Scodel (1993) 25-38
W. R. Connor, “Tribes, Festivals, and Processions,” Journal of Hellenic Studies 107 (1987) 40-50 / full text
E. M. Craik, “Language of Sexuality and Sexual Inversion in Euripides’ Hippolytus,” Acta Classica 41 (1998) 29-44
E. Csapo and W. J. Slater, The Context of Ancient Drama, Ann Arbor, Michigan: The University of Michigan Press (1995) / bmcr
M. Davies, “Deianeira and Medea: a Footnote to the Pre-history of Two Myths,” Mnemosyne 48 (1989) 469-471
M. Deforest, “Clytemnestra’s Breast and the Evil Eye,” in Woman’s Power, Man’s Game. Essays on Classical Antiquity in Honor of Joy King edited by M. DeForest (1993)
M. Detienne, “Les Danaides entre elles ou La Violence Fondatrice du Mariage,” Arethusa 21 (1988) 159-75
F. M. Dunn, “Euripides and the Rites of Hera Akraia,” GRBS 35.1 (1994) 103ff.
M. Dyson, “Alcestis’ Children and the Character of Admetus,” Journal of Hellenic Studies 108 (1988) 13-23 / full text
P. Easterling, “Women in Tragic Space,” BICS 34 (1987) 15-26
P. E. Easterling, “The Infanticide in Euripides’ Medea,” YCS 25 (1977) 177-191
C. A. Faraone, “Sex and Power: Male-Targeting Aphrodisiacs in the Greek Magical Tradition,” Helios 19 (1992) 92-103
C. A. Faraone, “Deianira’s Mistake and the Demise of Heracles: Erotic Magic in Sophocles Trachiniae,” Helios 21.2 (1994) 115-135
Judith Fletcher, “Women and Oaths in Euripides,” Theatre Journal 55.1 (2003) 29-44
Judith Fletcher, “Exchanging Glances: Vision and Representation in Aeschylus’ Agamemnon,” Helios 26.1 (1999) 11-34
H. Foley, “The Concept of Women in Athenian Drama,” in Reflections of Women in Antitquity, New York (1981) 127-68
H. Foley, “Anodos Drama: Euripides’ Alcestis and Helen,” in Innovations of Antiquity edited by R. Hexter and D. Selden, New York and London
H. Foley, “Medea’s Divided Self,” Classical Antiquity 8 (1989) 61-85
Foley, Helene, Female Acts in Greek Tragedy, Princeton: Princeton University Press (2001) [Chapters: I. The Politics of Tragic Lamentation, II. The Contradictions of Tragic Marriage, III. Women as Moral Agents in Greek Tragedy, III.1. Virgins, Wives, and Mothers; Penelope as Paradigm, III.2. Sacrificial Virgins: The Ethics of Lamentation in Sophocles’ Electra, III.3. Sacrificial Virgins: Antigone as Moral Agent, III4. Tragic Wives: Clytemnestras, III.5. Tragic Wives: Medea’s Divided Self, III.6. Tragic Mothers: Maternal Persuasion in Euripides, IV Anodos Dramas: Euripides’ Alcestis and Helen ] / web link
Elise Garrison, Groaning Tears. Ethical and Dramatic Aspects of Suicide in Greek Tragedy: Brill. Mnemosyne Supplement 147 (1995) / web link
G. Gellie, “The Character of Medea,” BICS 35 (1988)
B. Goff, “The Women of Thebes,” CJ 90.4 (1995) 353-65
B. Goff, The Noose of Words: Readings of Desire, Violence, and Language in Euripides’ Hippolytos, Cambridge (1990)
Goff, Barbara, “Aithra at Eleusis,” Helios 22.1 (1995) 65-78 / web link
B. Goldfarb, “The Conflict of Obligations in Euripides’ Alcestis,” GRBS 33 (1992) 109ff.
S. Goldhill, “Representing Democracy: Women at the Great Dionysia,” in Ritual, Finance, Politics. Athenian Democratic Accounts Presented to David Lewis edited by Robin Osborne and Simon Hornblower, Oxford (1994) 347-370 / bmcr
S. Goldhill, “The Great Dionysia and Civic Ideology,” Journal of Hellenic Studies 107 (1987) 58-76 / full text
S. Goldhill, Language, Sexuality, Narrative: The Oresteia, Princeton (1984)
E. Hall, Inventing the Barbarian: Greek Self-Definition Through Tragedy (1989) 202-210
Edith Hall, Fiona Macintosh and Oliver Taplin, Medea in Performance 1500-2000, Oxford: Legenda (2000) / bmcr
L. Hatzichronoglou, Euripides’ Medea: Woman or Fiend? edited by M. DeForest (1993)
J. Henderson, “Women and the Athenian Dramatic Festivals,” Transactions of the American Philological Association 121 (1991) 133-147 / full text
M. R. Higonnet, Euripides’ Alcestis: How to Die a Normal Death in Greek Tragedy edited by S. W. Goodwin and E. Bronfen (1993)
T. F. Hoey, “Sun Symbolism in the Parodos of the Trachiniae,” Arethusa 5 (1972) 133-155
J. C. Hogan, “The Protagonists of the Antigone,” Arethusa 5 (1972) 93-104
W. M. Calder III, “The Protagonist of Sophocles’ Antigone,” Arethusa 4.1 (1971 49) [cf. A. D. Fitton Brown, “A Reply,” Arethusa 4 (1971) 52-54]
Patricia J. Johnson, “Woman’s Third Face: A Psycho/Social Reconsideration of Antigone,” Arethusa 30 no. 3 (1997) 369-98 / web link
S. Iles Johnston, “Xanthus, Hera and the Erinyes (Il. 19.400-18),” Transactions of the American Philological Association 122 (1992) 85-98 / full text
L. J. Jost, “Antigone’s Engagement: A Theme Delayed,” LCM (1983) 8-9
H. P. Karydas, Eurykleia and Her Successors: Female Figures of Authority in Greek Poetics, Lanham, MD (1998) / bmcr
M. A. Katz, “The Character of Greek Tragedy: Women and the Greek Imagination,” Arethusa 27 (1994) 81-103
R. Kitzinger, “Why Mourning Becomes Electra,” ClAnt 10 (1991) 298-327
B. Knox, “The Medea of Euripides,” YCS 25 (1977) [= B. Knox Word and Action. Essays on the Ancient Theater, 1979 295-322]
Konstan, D., “Aristophanes’ Lysistrata: Women and the Body Politic,” in Tragedy, Comedy, and the Polis edited by A. Sommerstein, S. Halliwell, J. Henderson and B. Zimmermann, Bari (1993)
D. Kovacs, “On Medea’s Great Monologue (E. Med. 1021-80),” Classical Quarterly 36 (1986) 343-352 / full text
D. Kovacs, “Zeus in Euripides’ Medea,” American Journal of Philology 114.1 (1993 45) / full text
P. Krentz, “Athens’ Allies and the Phallophoria,” AHB 7.1 (1993) 12-16
Lardinois, André and Laura McClure, Making Silence Speak. Women’s Voices in Greek Literature and Society, Princeton and Oxford: Princeton University Press (2001) / bmcr
Littlewood, Cedric, “Seneca’s Thyestes: The Tragedy with No Women?,” MD 38 (1997) 57-86
M. Lloyd, “Euripides’ Alcestis,” Greece & Rome 32 (1985) 119-131 / full text
H. Lloyd-Jones, “Artemis and Iphigenia,” Journal of Hellenic Studies 103 (1983) 87-102 / full text
H. Lloyd-Jones, “Erinyes, Semnai Theai, Eumenides,” in Owls to Athens. Essays on Classical Subjects in Honor of Sir Kenneth Dover edited by E. M. Craik (1990) 203-211
N. Loraux, The Children of Athena: Athenian Ideas about Citizenship and the Division between the Sexes, Princeton (1993) / bmcr
N. Loraux, Mothers in Mourning, with the essay ‘Of Amnesty and Its Opposite’, Ithaca: Cornell UP (1998) / bmcr
N. Loraux, “The Comic Acropolis: Aristophanes, Lysistrata,” in The Children of Athena: Athenian Ideas about Citizenship and the Division between the Sexes, Princeton (1993) 147-183 / bmcr
N. Loraux, Tragic Ways of Killing a Woman (1987)
N. Loraux, “Herakles: The Super-Male and the Feminine,” in Before Sexuality: The Construction of Erotic Experience in the Ancient World edited by D. M. Halperin, J. J. Winkler and F. I. Zeitlin, Princeton (1990) 34-40
C. A. E. Luschnig, “Interiors: imaginary spaces in Alcestis and Medea,” Mnemosyne 45 (1992) 19-44
C.A.E Luschnig, The Gorgon’s Severed Head. Studies in Alcestis, Electra and Phoenissae, Leiden: E. J. Brill (1995) / web link / bmcr
A. Machin, “L’autre Antigone,” Pallas 44 (1996) 47-56
J. Maitland, “Dynasty and Family in the Athenian City State: A View from Attic Tragedy,” Classical Quarterly 42.1 (1992 26) / full text
J. March, “Euripides the Misogynist?,” in Euripides, Women, and Sexuality edited by A. Powell, London and New York (1990) 32-75 / bmcr
J. S. Margon, “The Nurse’s View of Clytemnestra’s Grief for Orestes: Choeph. 737-740,” CW 76 (1983) 296-297
McClure, L.K., “Female speech and characterization in Euripides,” in Lo spettacolo delle voci edited by Francesco De Martino and Alan H. Sommerstein, Bari: Levante editori (1995) 35-60
Laura McClure, Sexuality and Gender in the Classical World: Blackwell Publishers (2002) [1. Editor’s Introduction: Laura McClure. Part I: Greece: 2. Classical Attitudes to Sexual Behaviour: K. J. Dover. Excerpt:: Aristophanes’ Speech from Plato, Symposium 189d7-192a1. 3. Double-Consciousness in Sappho’s Lyrics: J. J. Winkler. Excerpt:s: Sappho 1 and 31; Homer, Iliad 5.114-132; Odyssey 6.139-85. 4. Bound to Bleed: Artemis and Greek Women: H. King. Excerpts: Hippocrates, On Unmarried Girls; Euripides, Hippolytus 59-105. 5. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama: F. Zeitlin. Excerpts: Sophocles, Women of Trachis 531-587, 1046-1084; Euripides, Bacchae 912-944. Part II: Rome: 6. The Silent Women of Rome: M. I. Finley. Excerpts: Funerary Inscriptions: CE 81.1-2, 158.2, 843, 1136.3-4; ILS 5213, 8402, 8394; CIL 1.1211, 1.1221, 1.1837. 7. The Body Female and the Body Politic: Livy’s Lucretia and Verginia: S. R. Joshel. Excerpts: Livy, On the Founding of Rome, 1.57.6-59.6. 8. Mistress and Metaphor in Augustan Elegy: M. Wyke. Excerpts: Propertius, 1.8a-b and 2.5; Cicero, In Defense of Marcus Caelius 20.47-21.50. 9. Pliny’s Brassiere. Excerpt:: Pliny, Natural History 28.70-82. Part III: Classical Tradition: 10. “The Voice of the Shuttle Is Ours.” P. K. Joplin. Excerpt: Ovid, Metamorphoses 6.424-623.] / bmcr
E. A. McDermott, Euripides’ Medea: the Incarnation of Disorder (1989)
Daniel Mendelsohn, Gender and the City in Euripides’ Political Plays, Oxford (2002) [ISBN 0-19-924956-3] / bmcr
A. Michelini, “Characters and Character Change in Aeschylus: Klytaimestra and the Furies,” Ramus 8 (1979) 153-164
S. P. Mills, “The Sorrows of Medea,” Classical Philology 75 (1980) 289-296 / full text
R. W. Minadeo, “Characterization and Theme in the Antigone,” Arethusa 18 (1985) 133-154
S. Murnaghan, “Antigone 904-920 and the Institution of Marriage,” American Journal of Philology 107 (1986) 192-207 / full text
Neblung, Dagmar, “Die Gestalt der Kassandra in der antiken Literatur,” Beitraege zur Altertumskunde 97, Stuttgart, Leipzig (1997)
M. Neuburg, “How Like a Woman: Antigone’s ‘Inconsistency’,” Classical Quarterly 40 (1990) 54-76 / full text
Martha C. Nussbaum and Juha Sihvola, The Sleep of Reason: Erotic Experience and Sexual Ethics in Ancient Greece and Rome, Chicago: University of Chicago Press (2002) [“Forgetting Foucault: Acts, Identities, and the History of Sexuality,” David M. Halperin; “Eros and Ethical Norms: Philosophers Respond to a Cultural Dilemma,” Martha C. Nussbaum; “Erotic Experience in the Conjugal Bed: Good Wives in Greek Tragedy,” Maarit Kaimo; “Aristophanic Sex: The Erotics of Shamelessness,” Stephen Halliwell; “The Legend of the Sacred Band,” David Leitao; “Plato, Zeno, and the Object of Love,” A. W. Price; “Aristotle on Sex and Love,” Juha Sihvola; “Two Women of Samos,” Kenneth Dover; “The First Homosexuality,” David M. Halperin; “Marriage and Sexuality in Republican Rome: A Roman Conjugal Love Story,” Eva Cantarella; “The Incomplete Feminism of Musonius Rufus, Platonist, Stoic, and Roman,” Martha C. Nussbaum; “Eros and Aphrodisa in the Works of Dio Chrysostom,” J. Samuel Houser; “Enacting Eros,” David Konstan; “The Erotic Experience of Looking: Cultural Conflict and the Gaze in Empire Culture,” Simon Goldhill; “Agents and Victims: Constructions of Gender and Desire in Ancient Greek Love Magic,” Christopher A. Faraone] / bmcr
Kirk Ormand, Exchange and the Maiden: Marriage in Sophoclean Tragedy, Austin: University of Texas Press (1999) / bmcr / bmcr / web link
R. Padel, In and Out of the Mind: Greek Images of the Tragic Self, Princeton (1992) / bmcr
R. B. Palmer, “An Apology for Jason: A Study of Euripides’ Medea,” CJ 53 (1981) 49-55
M. Parca, “Of Nature and Eros: Deianeira in Sophocles’ Trachiniae,” ICS 17 (1992) 175-192
A. J. Podlecki, “Could Women Attend the Theater in Ancient Athens?,” Ancient World 21 (1990) 27-43
A. J. Podlecki, “Aeschylus’ Women,” Helios 10 (1983) 23-47
John Porter, Skenotheke: Images of the Ancient Stage [nice collection of resources on ancient theater] / web link
John Porter, A Bibliography of Ancient Drama / web link
A. Powell, Euripides, Women, and Sexuality, London and New York (1990) / bmcr
D. C. Pozzi, “Deianeira’s Robe: Diction in Sophocles’ Trachiniae,” Mnemosyne 47 (1995) 577-585
D. C. Pozzi, “DEIANIRA VERE OINEI FILIA,” Hermes 124.1 (1996) 104-108
N. S. Rabinowitz, “Tragedy and the Politics of Containment,” in Pornography and Representation in Greece and Rome edited by Amy Richlin, Oxford: Oxford UP (1991) 36-52 / bmcr
N. S. Rabinowitz, Anxiety Veiled: Euripides and the Traffic in Women (1993) / bmcr
M. D. Reeve, “Euripides, Medea 1021-1080,” Classical Quarterly 22 (1972) 51-61 / full text
R. Rehm, Marriage to Death. The Conflation of Wedding and Funeral Rituals in Greek Tragedy, Princeton (1994) / bmcr
R. Rehm, “Medea and the Logos of the Heroic,” Eranos 87 (1989) 97-115
A. R. Rose, “The Significance of the Nurse’s Speech in Aeschylus’ Choephoroi,” CB 58 (1982) 49-50
F. Saayman, “The Wrath of Artemis (and Menis!) in Ag. 122-159,” Akroterion 39.1 (1994) 2-11
A. Scafuro, “Discourse of Sexual Violation in Mythic Accounts and Dramatic Versions of ‘The Girl’s Tragedy’,” Differences 2.1 (1990) 126-159
D. S. Schenker, “The Queen and the Chorus in Aeschylus’ Persae,” Phoenix 48.4 (1994 283)
R. Scodel, “Teichoscopia, Catalogue, and the Female Spectator in Euripides,” Colby Quarterly (March 1997)
R. Seaford, “The Tragic Wedding,” Journal of Hellenic Studies 107 (1987) 106-130 / full text
R. Seaford, “The Imprisonment of Women in Greek Tragedy,” Journal of Hellenic Studies 110 (1990) 76-90 / full text
R. Seaford, Reciprocity and Ritual. Homer and Tragedy in the Developing City-State, Oxford: Clarendon Press (1994) / bmcr
R. Seaford, “The Destruction of Limits in Sophokles’ Elektra,” Classical Quarterly 35.2 (1985) 315-23 / full text
R. Seaford, “Wedding Ritual and Textual Criticism in Sophocles’ Women of Trachis,” Hermes 114 (1986) 50-59
C. Segal, “Violence & the Other: Greek, Female, & Barbarian in Euripides’ Hecuba,” Transactions of the American Philological Association 120 (1990) 109-131 / full text
C. Segal, Euripides and the Poetics of Sorrow. Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham and London (1993) / bmcr
C. Segal, Sophocles’ Tragic World, Cambridge, MA (1995)
C. Segal, “Antigone: Death and Love, Hades and Dionysus,” in Oxford Readings in Greek Tragedy edited by E. Segal (1983) 167-176
C. Segal, “Time, Oracles, and Marriage in the Trachiniae,” Lexis (1992) 9-10
C. Segal, “Bride or Concubine? Iole and Heracles’ Motives in the Trachiniae,” ICS 19 (1994) 59-64
C. Segal, “Euripides’ Alcestis: Female Death and Male Tears,” ClAnt 11.1 (1992 142)
C. Segal, “Admetus’ Divided House: Spatial Dichotomies and Gender Roles in Euripides’ Alcestis,” MD 28 (1992) 9-26
M. Shaw, “The Female Intruder: Women in Fifth-Century Drama,” Classical Philology 70 (1975) 255-66 / full text
S. J. Simon, “Euripides’ Defense of Women,” CB 50 (1973-74) 39-42
G. Smith, “The Alcestis of Euripides. An Interpretation,” RFIC 111 (1983) 129-145
A. Sommerstein, S. Halliwell, J. Henderson and B. Zimmermann, Tragedy, Comedy, and the Polis, Bari (1993)
A. H. Sommerstein, “Again Klytaimestra’s Weapon,” Classical Quarterly 39 (1989) 269-301 / full text
C. E. Sorum, “The Family in Sophocles’ Antigone and Electra,” CW 75 (1982) 201-211
C.E. Sorum, “Monsters and the Family: the Exodos of Sophocles’ Trachiniae,” GRBS 19 (1978) 59-73
C. Sourvinou-Inwood, “Something to do with Athens: Tragedy and Ritual,” in Ritual, Finance, Politics. Athenian Democratic Accounts Presented to David Lewis edited by Robin Osborne and Simon Hornblower, Oxford (1994) 269-290 / bmcr
C. Sourvinou-Inwood, “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone,” Journal of Hellenic Studies 109 (1989) 134-48 / full text
E. M. Thury, “Euripides’ Alcestis and the Athenian Generation Gap,” Arethusa 21 (1988) 197-214
Wm. Blake Tyrrell and Larry J. Bennett, Recapturing Sophocles’ Antigone, Lanham, MD: Rowman and Littlefield (1998) / bmcr
M. Visser, “Medea: Daughter, Sister, Wife, and Mother. Natal Family versus Conjugal Family in Greek and Roman Myths About Women,” in Greek Tragedy and its Legacy: Essays Presented to D. J. Conacher edited by M. Cropp, E. Fantham, and S. E. Scully (1986) 149-165
D. Wender, “The Will of the Beast: Sexual Imagery in the Trachiniae,” Ramus 3 (1974) 1-17
S. Wiersma, “Women in Sophocles,” Mnemosyne 37 (1984) 25-55
M. Williamson, “A Woman’s Place in Euripides’ Medea,” in Euripides, Women, and Sexuality edited by A. Powell, London and New York (1990) 16-31 / bmcr
S. F. Wiltshire, “Antigone’s Disobedience,” Arethusa 9 (1976) 29-36
J. Winkler and F. Zeitlin, Nothing to Do With Dionysos? Athenian Drama in its Social Context, Princeton (1990)
R. P. Winnington-Ingram, “Sophocles and Women,” in Entretiens sur l’antiquité classique. Fondation Hardt 29 (1982) 233-257
V. Wohl, Intimate Commerce: Exchange, gender,and Subjectivity in Greek Tragedy, Austin, Texas: The University of Texas Press (1998) / bmcr
T. Woodard, “The Electra of Sophocles,” in Sophocles edited by T. Woodard, New Jersey (1966) 125-45 [one of few articles to focus on Electra herself]
N. Worman, “The Body as Argument: Helen in Four Greek Texts,” Classical Antiquity 16.1 (1997) 151ff.
I. Worthington, “The Ending of Euripides’ Medea,” Hermes 118 (1990) 502-505
F. Zeitlin, “Playing the Other: Theater, Theatricality and the Feminine in Greek Drama,” Representations 11 (1985) 63-94 [also in J. Winkler and F. Zeitlin (edd.), Nothing to Do With Dionysos? Athenian Drama in its Social Context, 63-96]
F. I. Zeitlin, “Figuring Fidelity in Homer’s Odyssey,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “Signifying Difference: The Case of Hesiod’s Pandora,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Dynamics of Misogyny: Myth and Mythmaking in Aeschylus’s Oresteia,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Politics of Eros in the Danaid Trilogy of Aeschylus,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Body’s Revenge: Dionysos and Tragic Action in Euripides’ Hekabe,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Power of Aphrodite: Eros and the Boundaries of the Self in Euripides’ Hippolytos,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “Mysteries of Identity and Designs of the Self in Euripides’ Ion,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr