D. Armstrong and E. A. Ratchford, “Iphigenia’s Veil: Aeschylus, Agamemnon 228-48,” BICS 32 (1985) 1-12
Francine Viret Bernal, “When Painters Execute a Murderess: The Representation of Clytemnestra on Attic Vases,” in Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology edited by Ann Olga Koloski-Ostrow and Claire L. Lyons, London: Routledge (1997) / web link / bmcr
Laurel Bowman, “Klytaimnestra’s Dream: Prophecy in Sophocles’ Electra,” Phoenix 51 no. 2 (1998) [The use of prophecy in Sophocles’ Elektra emphasizes the play’s primarily political theme, the transfer of power from father to son. The lack of direct reference to Klytaimnestra in Apollo’s oracle, and Klytaimnestra’s absence from her own prophetic dream are mirrored in her exclusion and Electra’s from the political activity of the play, and give prominence to the actions of the males, Orestes and Aegisthus.]
A. L. Brown, “The Erinyes in the Oresteia: Real Life, the Supernatural, and the Stage,” Journal of Hellenic Studies 103 (1983) 13-34 / full text
Byrne, Lucy, “Fear in the Seven Against Thebes,” in Rape in Antiquity: Sexual violence in the Greek and Roman worlds edited by S. Deacy and K.F. Pierce, London: Duckworth (1997) 143-162
Calame, Claude, The Poetics of Eros in Ancient Greece, Princeton: Princeton University Press (1999)
E. Csapo and W. J. Slater, The Context of Ancient Drama, Ann Arbor, Michigan: The University of Michigan Press (1995) / bmcr
M. Deforest, “Clytemnestra’s Breast and the Evil Eye,” in Woman’s Power, Man’s Game. Essays on Classical Antiquity in Honor of Joy King edited by M. DeForest (1993)
M. Detienne, “Les Danaides entre elles ou La Violence Fondatrice du Mariage,” Arethusa 21 (1988) 159-75
Judith Fletcher, “Exchanging Glances: Vision and Representation in Aeschylus’ Agamemnon,” Helios 26.1 (1999) 11-34
Foley, Helene, Female Acts in Greek Tragedy, Princeton: Princeton University Press (2001) [Chapters: I. The Politics of Tragic Lamentation, II. The Contradictions of Tragic Marriage, III. Women as Moral Agents in Greek Tragedy, III.1. Virgins, Wives, and Mothers; Penelope as Paradigm, III.2. Sacrificial Virgins: The Ethics of Lamentation in Sophocles’ Electra, III.3. Sacrificial Virgins: Antigone as Moral Agent, III4. Tragic Wives: Clytemnestras, III.5. Tragic Wives: Medea’s Divided Self, III.6. Tragic Mothers: Maternal Persuasion in Euripides, IV Anodos Dramas: Euripides’ Alcestis and Helen ] / web link
S. Goldhill, Language, Sexuality, Narrative: The Oresteia, Princeton (1984)
Gow, A. S. F., “Notes on the Persae of Aeschylus,” Journal of Hellenic Studies no. 48 (1928) 143-52 / full text
S. Iles Johnston, “Xanthus, Hera and the Erinyes (Il. 19.400-18),” Transactions of the American Philological Association 122 (1992) 85-98 / full text
Lardinois, André and Laura McClure, Making Silence Speak. Women’s Voices in Greek Literature and Society, Princeton and Oxford: Princeton University Press (2001) / bmcr
H. Lloyd-Jones, “Artemis and Iphigenia,” Journal of Hellenic Studies 103 (1983) 87-102 / full text
H. Lloyd-Jones, “Erinyes, Semnai Theai, Eumenides,” in Owls to Athens. Essays on Classical Subjects in Honor of Sir Kenneth Dover edited by E. M. Craik (1990) 203-211
J. S. Margon, “The Nurse’s View of Clytemnestra’s Grief for Orestes: Choeph. 737-740,” CW 76 (1983) 296-297
Laura McClure, Spoken Like a Woman: Speech and Gender in Athenian Drama, Princeton: Princeton University Press (1999) / bmcr
Laura McClure, Sexuality and Gender in the Classical World: Blackwell Publishers (2002) [1. Editor’s Introduction: Laura McClure. Part I: Greece: 2. Classical Attitudes to Sexual Behaviour: K. J. Dover. Excerpt:: Aristophanes’ Speech from Plato, Symposium 189d7-192a1. 3. Double-Consciousness in Sappho’s Lyrics: J. J. Winkler. Excerpt:s: Sappho 1 and 31; Homer, Iliad 5.114-132; Odyssey 6.139-85. 4. Bound to Bleed: Artemis and Greek Women: H. King. Excerpts: Hippocrates, On Unmarried Girls; Euripides, Hippolytus 59-105. 5. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama: F. Zeitlin. Excerpts: Sophocles, Women of Trachis 531-587, 1046-1084; Euripides, Bacchae 912-944. Part II: Rome: 6. The Silent Women of Rome: M. I. Finley. Excerpts: Funerary Inscriptions: CE 81.1-2, 158.2, 843, 1136.3-4; ILS 5213, 8402, 8394; CIL 1.1211, 1.1221, 1.1837. 7. The Body Female and the Body Politic: Livy’s Lucretia and Verginia: S. R. Joshel. Excerpts: Livy, On the Founding of Rome, 1.57.6-59.6. 8. Mistress and Metaphor in Augustan Elegy: M. Wyke. Excerpts: Propertius, 1.8a-b and 2.5; Cicero, In Defense of Marcus Caelius 20.47-21.50. 9. Pliny’s Brassiere. Excerpt:: Pliny, Natural History 28.70-82. Part III: Classical Tradition: 10. “The Voice of the Shuttle Is Ours.” P. K. Joplin. Excerpt: Ovid, Metamorphoses 6.424-623.] / bmcr
Laura McClure, “Logos Gunaikos: Speech, Gender, and Spectatorship in the Oresteia,” Helios 24 no. 2 (1997) 112-135
A. Michelini, “Characters and Character Change in Aeschylus: Klytaimestra and the Furies,” Ramus 8 (1979) 153-164
A. J. Podlecki, “Aeschylus’ Women,” Helios 10 (1983) 23-47
John Porter, Skenotheke: Images of the Ancient Stage [nice collection of resources on ancient theater] / web link
John Porter, A Bibliography of Ancient Drama / web link
Simon Pulleyn, “Erotic Undertones in the Language of Clytemnestra,” The Classical Quarterly 47.2 (1997) 565-567 / full text
A. R. Rose, “The Significance of the Nurse’s Speech in Aeschylus’ Choephoroi,” CB 58 (1982) 49-50
F. Saayman, “The Wrath of Artemis (and Menis!) in Ag. 122-159,” Akroterion 39.1 (1994) 2-11
D. S. Schenker, “The Queen and the Chorus in Aeschylus’ Persae,” Phoenix 48.4 (1994 283)
A. H. Sommerstein, “Again Klytaimestra’s Weapon,” Classical Quarterly 39 (1989) 269-301 / full text
V. Wohl, Intimate Commerce: Exchange, gender,and Subjectivity in Greek Tragedy, Austin, Texas: The University of Texas Press (1998) / bmcr
F. I. Zeitlin, “The Dynamics of Misogyny: Myth and Mythmaking in Aeschylus’s Oresteia,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Politics of Eros in the Danaid Trilogy of Aeschylus,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr