Sue Blundell, “Marriage and the maiden: narratives on the Parthenon,” in The Sacred and the Feminine in Ancient Greece edited by S. Blundell and M. Williamson, London (1998)
W. Burkert, “Kekropidensage und Arrephoria: Vom Initiationsritus zum Panathenäenfest,” Hermes 94 (1966) 1-25
W. Burkert, Greek Religion, Cambridge, MA: Harvard University Press (1987)
J. S. Clay, The Wrath of Athena. Gods and Men in the Odyssey, Princeton (1983)
J. B. Connelly, “Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze,” American Journal of Archaeology 100 (1996) 53-80 / web link / full text
R. D. Cromey, “History and Image: the Penelope Painter’s Akropolis (Louvre G3271 and 480/79 BC),” Journal of Hellenic Studies 111 (1991) 165-175 / full text
Deacy, S., “Athena and the Amazons: mortal and immortal feminity in Greek myth,” in What is a god ? Studies in the nature of Greek divinity edited by Alan B. Lloyd, London: Duckworth (1997) 153-168
Deacy, Susan, “The Vulnerability of Athena. Parthenoi and Rape in Greek Myth,” in Rape in Antiquity: Sexual violence in the Greek and Roman worlds edited by S. Deacy and K.F. Pierce, London: Duckworth (1997) 43-63
Susan Deacy and Alexandra Villing, Athena in the Classical World, Leiden: Brill (2001) / bmcr
Guy Donnay, “L’arrhephorie: initiation ou rite civique? Un cas d’ecole,” Kernos 10 (1997) 177-205
G. W. Elderkin, “Aphrodite and Athena in the Lysistrata of Aristophanes,” Classical Philology 35 (1940) 387-396 / full text
E. Harrison, “Motifs of the City-Siege on the Shield of Athena Parthenos,” American Journal of Archaeology 85 (1981) 281-317 / full text
Evelyn B. Harrison, “The Web of History: A Conservative Reading of the Parthenon Frieze,” in Worshipping Athena edited by Jenifer Neils, Madison: Univ of Wisconsin Press (1996) 198-214 / bmcr
C. J. Herrington, Athena Parthenos and Athena Polias. A Study in the Religion of Periclean Athens (1955)
J. M. Hurwit, “Beautiful Evil: Pandora and the Athena Parthenos,” American Journal of Archaeology 99 (1995) 171-186 / full text
E. Kadletz, “The Race and Procession of the Athenian Oscophoroi,” GRBS 21 (1980) 363-371
Mary R. Lefkowitz, “Women in the Panathenaic and Other Festivals,” in Worshipping Athena edited by Jenifer Neils, Madison: Univ of Wisconsin Press (1996) 78-94 / bmcr
N. Loraux, The Children of Athena: Athenian Ideas about Citizenship and the Division between the Sexes, Princeton (1993) / bmcr
N. Loraux, “The Comic Acropolis: Aristophanes, Lysistrata,” in The Children of Athena: Athenian Ideas about Citizenship and the Division between the Sexes, Princeton (1993) 147-183 / bmcr
Sheila Murnaghan, “The Plan of Athena,” in The Distaff Side: Representing the Female in Homer’s Odyssey edited by B. Cohen, Oxford (1995) / bmcr
J. Neils, Goddess and Polis: the Panathenaic festival in ancient Athens, Princeton (1992) / bmcr
Simon Price, Religions of the Ancient Greeks (1999) Cambridge University Press
N. Robertson, “The Riddle of the Arrhephoria at Athens,” Harvard Studies in Classical Philology 87 (1983) 241-288 / full text
Noel Robertson, “Athena’s Shrines and Festivals,” in Worshipping Athena edited by Jenifer Neils, Madison: Univ of Wisconsin Press (1996) 27-77 / bmcr
K. Schefold, God and Heroes in Late Archaic Greek Art (1993)
E. Simon, Festivals of Attica (1983)
Andrew Stewart, “Nuggets: Mining the Texts Again,” American Journal of Archaeology 102 (1998) 271-82 [Uses Diogenes Laertius’s report of a dirty joke about Pheidias’s Athena Parthenos to establish the Athenians’ continued veneration of goddess and statue in the early Hellenistic period, contra Herington et al. Establishes that the sculptor Silanion indeed made a portrait of the poetess Corinna ca. 320 BC; refutes Page, Campbell and other literary critics who date her to the 3rd century; and suggests that the anecdotes about a rivalry between her and Pindar may have to be taken seriously. Establishes that the sculptor Silanion indeed made a portrait of the poetess Corinna ca. 320 BC; refutes Page, Campbell and other literary critics who date her to the 3rd century; and suggests that the anecdotes about a rivalry between her and Pindar may have to be taken seriously. Argues that the women’s chorus of cities in Eupolis’s “Poleis” was the precedent for the parade of “liberated” cities in the Pompe, and that Eupolis’s sexist remarks about them support the gendered reading I proposed for this urban troupe in Faces of Power: Alexander’s Image and Hellenistic Politics (Berkeley 1993) 258.] / full text
J. Theodorou, “The Panathenaic Festival of Athena,” Minerva 4.3 (1993) 41ff