Allen, Archibald, and Jiri Frel, “A Date for Corinna,” Classical Journal 68 (l972) 26-30
J. Balmer, Classical Women Poets, Newcastle-upon-Tyne: Bloodaxe Books (1996) [anthology] / bmcr
Calame, Claude, The Poetics of Eros in Ancient Greece, Princeton: Princeton University Press (1999)
Clayman, D., “Corinna and Pindar,” in Nomodeiktes. Greek Studies in Honor of Martin Ostwald edited by Ralph M. Rosen and Joseph Farrell (1993) 633-642
Clayman, Dee Lesser, “The Meaning of Corinna’s veroia,” Classical Quarterly 28 (l978) 396-397 / full text
W.J. Henderson, “Corinna of Tanagra on Poetry,” AClass 38 (1995) 29-42
Larson, Jennifer, “Corinna and the Daughters of Asopus,” SyllClass 13 (2002) 47-62
Charles Segal, Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna, Lanham, MD: Rowman (1998)
Skinner, Marilyn B., “Corinna of Tanagra and Her Audience,” Tulsa Studies in Women’s Literature 2 (l978) 9-20
J. M. Snyder, The Woman and the Lyre. Women Writers in Classical Greece and Rome, Carbondale and Edwardsville: Southern Illinois University Press (1989) / bmcr
Andrew Stewart, “Nuggets: Mining the Texts Again,” American Journal of Archaeology 102 (1998) 271-82 [Uses Diogenes Laertius’s report of a dirty joke about Pheidias’s Athena Parthenos to establish the Athenians’ continued veneration of goddess and statue in the early Hellenistic period, contra Herington et al. Establishes that the sculptor Silanion indeed made a portrait of the poetess Corinna ca. 320 BC; refutes Page, Campbell and other literary critics who date her to the 3rd century; and suggests that the anecdotes about a rivalry between her and Pindar may have to be taken seriously. Establishes that the sculptor Silanion indeed made a portrait of the poetess Corinna ca. 320 BC; refutes Page, Campbell and other literary critics who date her to the 3rd century; and suggests that the anecdotes about a rivalry between her and Pindar may have to be taken seriously. Argues that the women’s chorus of cities in Eupolis’s “Poleis” was the precedent for the parade of “liberated” cities in the Pompe, and that Eupolis’s sexist remarks about them support the gendered reading I proposed for this urban troupe in Faces of Power: Alexander’s Image and Hellenistic Politics (Berkeley 1993) 258.] / full text
West, M.L., “Corinna,” Classical Quarterly 29 (1970) 277-287 / full text
West, Martin L., “The Berlin Corinna,” Zeitschrift für Papyrologie und Epigraphik 113 (1996) 22-23