S. A. Barlow, “Stereotype and Reversal in Euripides’ Medea,” Hermes 118 (1990) 502-505
S. A. Barlow, “Stereotype and Reversal in Euripides’ Medea,” Greece & Rome 36 (1989) 158-171 / full text
S.A. Barlow, “Euripides’ Medea: a subversive play?,” BICS Supplement edited by A. Griffiths 66, London (1995) 36-45 / bmcr
G. G. Betts, “The Silence of Alcestis,” Mnemosyne 18 (1965) 181-182
C. R. Beye, “Alcestis and Her Critics,” GRBS 2 (1959) 109-127
D. Boedeker, “Euripides’ Medea and the Vanity of Logoi,” Classical Philology 86 (1991) 95-112 / full text
E. Bongie, “Heroic Elements in the Medea of Euripides,” Transactions of the American Philological Association 107 (1977) 27-56 / full text
S. de Bouvrie, Women in Greek Tragedy: An Anthropological Approach, Oslo: Norwegian University Press (1990)
E. M. Bradley, “Admetus and the Triumph of Failure in Euripides’ Alcestis,” Ramus 9 (1980) 112-127
A. Burnett, “Medea and the Tragedy of Revenge,” Classical Philology 68.1 (1973) / full text
A. P. Burnett, “The Virtues of Admetus,” Classical Philology 60 (1965) 240-255 / full text
Calame, Claude, The Poetics of Eros in Ancient Greece, Princeton: Princeton University Press (1999)
J. J. Clauss and S. I. Johnston, Medea: Essays on Medea in Myth, Literature, Philosophy and Art, Princeton (1997)
E. M. Craik, “Language of Sexuality and Sexual Inversion in Euripides’ Hippolytus,” Acta Classica 41 (1998) 29-44
E. Csapo and W. J. Slater, The Context of Ancient Drama, Ann Arbor, Michigan: The University of Michigan Press (1995) / bmcr
Daitz, Stephen G., “Concepts of Freedom and Slavery in Euripides’ Hecuba,” Hermes. Zeitschrift fanduuml;r klassische Philologie 99 (1971) 217-226
M. Davies, “Deianeira and Medea: a Footnote to the Pre-history of Two Myths,” Mnemosyne 48 (1989) 469-471
F. M. Dunn, “Euripides and the Rites of Hera Akraia,” GRBS 35.1 (1994) 103ff.
M. Dyson, “Alcestis’ Children and the Character of Admetus,” Journal of Hellenic Studies 108 (1988) 13-23 / full text
P. E. Easterling, “The Infanticide in Euripides’ Medea,” YCS 25 (1977) 177-191
Judith Fletcher, “Women and Oaths in Euripides,” Theatre Journal 55.1 (2003) 29-44
H. Foley, “Anodos Drama: Euripides’ Alcestis and Helen,” in Innovations of Antiquity edited by R. Hexter and D. Selden, New York and London
H. Foley, “Medea’s Divided Self,” Classical Antiquity 8 (1989) 61-85
Foley, Helene, Female Acts in Greek Tragedy, Princeton: Princeton University Press (2001) [Chapters: I. The Politics of Tragic Lamentation, II. The Contradictions of Tragic Marriage, III. Women as Moral Agents in Greek Tragedy, III.1. Virgins, Wives, and Mothers; Penelope as Paradigm, III.2. Sacrificial Virgins: The Ethics of Lamentation in Sophocles’ Electra, III.3. Sacrificial Virgins: Antigone as Moral Agent, III4. Tragic Wives: Clytemnestras, III.5. Tragic Wives: Medea’s Divided Self, III.6. Tragic Mothers: Maternal Persuasion in Euripides, IV Anodos Dramas: Euripides’ Alcestis and Helen ] / web link
G. Gellie, “The Character of Medea,” BICS 35 (1988)
B. Goff, The Noose of Words: Readings of Desire, Violence, and Language in Euripides’ Hippolytos, Cambridge (1990)
Goff, Barbara, “Aithra at Eleusis,” Helios 22.1 (1995) 65-78 / web link
B. Goldfarb, “The Conflict of Obligations in Euripides’ Alcestis,” GRBS 33 (1992) 109ff.
Edith Hall, Fiona Macintosh and Oliver Taplin, Medea in Performance 1500-2000, Oxford: Legenda (2000) / bmcr
R. Harriot, “Aristophanes’ Audience and the Plays of Euripides,” BICS 9 (1962) 1-8
L. Hatzichronoglou, Euripides’ Medea: Woman or Fiend? edited by M. DeForest (1993)
M. R. Higonnet, Euripides’ Alcestis: How to Die a Normal Death in Greek Tragedy edited by S. W. Goodwin and E. Bronfen (1993)
Jacobson, Howard, “Vergil’s Dido and Euripides’ Helen,” American Journal of Philology (1987) 108 / full text
B. Knox, “The Medea of Euripides,” YCS 25 (1977) [= B. Knox Word and Action. Essays on the Ancient Theater, 1979 295-322]
D. Konstan, “An Anthropology of Euripides’ Cyclops,” Ramus 10 (1981) 87-103
D. Kovacs, “On Medea’s Great Monologue (E. Med. 1021-80),” Classical Quarterly 36 (1986) 343-352 / full text
D. Kovacs, “Zeus in Euripides’ Medea,” American Journal of Philology 114.1 (1993 45) / full text
Lardinois, André and Laura McClure, Making Silence Speak. Women’s Voices in Greek Literature and Society, Princeton and Oxford: Princeton University Press (2001) / bmcr
M. Lloyd, “Euripides’ Alcestis,” Greece & Rome 32 (1985) 119-131 / full text
C. A. E. Luschnig, “Interiors: imaginary spaces in Alcestis and Medea,” Mnemosyne 45 (1992) 19-44
C.A.E Luschnig, The Gorgon’s Severed Head. Studies in Alcestis, Electra and Phoenissae, Leiden: E. J. Brill (1995) / web link / bmcr
J. March, “Euripides the Misogynist?,” in Euripides, Women, and Sexuality edited by A. Powell, London and New York (1990) 32-75 / bmcr
McClure, L.K., “Female speech and characterization in Euripides,” in Lo spettacolo delle voci edited by Francesco De Martino and Alan H. Sommerstein, Bari: Levante editori (1995) 35-60
Laura McClure, Spoken Like a Woman: Speech and Gender in Athenian Drama, Princeton: Princeton University Press (1999) / bmcr
Laura McClure, Sexuality and Gender in the Classical World: Blackwell Publishers (2002) [1. Editor’s Introduction: Laura McClure. Part I: Greece: 2. Classical Attitudes to Sexual Behaviour: K. J. Dover. Excerpt:: Aristophanes’ Speech from Plato, Symposium 189d7-192a1. 3. Double-Consciousness in Sappho’s Lyrics: J. J. Winkler. Excerpt:s: Sappho 1 and 31; Homer, Iliad 5.114-132; Odyssey 6.139-85. 4. Bound to Bleed: Artemis and Greek Women: H. King. Excerpts: Hippocrates, On Unmarried Girls; Euripides, Hippolytus 59-105. 5. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama: F. Zeitlin. Excerpts: Sophocles, Women of Trachis 531-587, 1046-1084; Euripides, Bacchae 912-944. Part II: Rome: 6. The Silent Women of Rome: M. I. Finley. Excerpts: Funerary Inscriptions: CE 81.1-2, 158.2, 843, 1136.3-4; ILS 5213, 8402, 8394; CIL 1.1211, 1.1221, 1.1837. 7. The Body Female and the Body Politic: Livy’s Lucretia and Verginia: S. R. Joshel. Excerpts: Livy, On the Founding of Rome, 1.57.6-59.6. 8. Mistress and Metaphor in Augustan Elegy: M. Wyke. Excerpts: Propertius, 1.8a-b and 2.5; Cicero, In Defense of Marcus Caelius 20.47-21.50. 9. Pliny’s Brassiere. Excerpt:: Pliny, Natural History 28.70-82. Part III: Classical Tradition: 10. “The Voice of the Shuttle Is Ours.” P. K. Joplin. Excerpt: Ovid, Metamorphoses 6.424-623.] / bmcr
E. A. McDermott, Euripides’ Medea: the Incarnation of Disorder (1989)
Daniel Mendelsohn, Gender and the City in Euripides’ Political Plays, Oxford (2002) [ISBN 0-19-924956-3] / bmcr
S. P. Mills, “The Sorrows of Medea,” Classical Philology 75 (1980) 289-296 / full text
F. Muecke, “A Portrait of the Artist as a Young Woman,” Classical Quarterly 32 (1982) 41-55 / full text
R. B. Palmer, “An Apology for Jason: A Study of Euripides’ Medea,” CJ 53 (1981) 49-55
A. Panagopoulos, “Aristophanes and Euripides on the Victims of the War,” BICS 32 (1985)
John Porter, Skenotheke: Images of the Ancient Stage [nice collection of resources on ancient theater] / web link
John Porter, A Bibliography of Ancient Drama / web link
A. Powell, Euripides, Women, and Sexuality, London and New York (1990) / bmcr
N. S. Rabinowitz, Anxiety Veiled: Euripides and the Traffic in Women (1993) / bmcr
M. D. Reeve, “Euripides, Medea 1021-1080,” Classical Quarterly 22 (1972) 51-61 / full text
R. Rehm, “Medea and the Logos of the Heroic,” Eranos 87 (1989) 97-115
R. Scodel, “Teichoscopia, Catalogue, and the Female Spectator in Euripides,” Colby Quarterly (March 1997)
C. Segal, “Violence & the Other: Greek, Female, & Barbarian in Euripides’ Hecuba,” Transactions of the American Philological Association 120 (1990) 109-131 / full text
C. Segal, Euripides and the Poetics of Sorrow. Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham and London (1993) / bmcr
C. Segal, “Euripides’ Alcestis: Female Death and Male Tears,” ClAnt 11.1 (1992 142)
C. Segal, “Admetus’ Divided House: Spatial Dichotomies and Gender Roles in Euripides’ Alcestis,” MD 28 (1992) 9-26
S. J. Simon, “Euripides’ Defense of Women,” CB 50 (1973-74) 39-42
G. Smith, “The Alcestis of Euripides. An Interpretation,” RFIC 111 (1983) 129-145
Suter, Ann, “Lament in Euripides’ Trojan Women,” Mnemosyne, 56.1 (2003) 1-28
E. M. Thury, “Euripides’ Alcestis and the Athenian Generation Gap,” Arethusa 21 (1988) 197-214
M. Visser, “Medea: Daughter, Sister, Wife, and Mother. Natal Family versus Conjugal Family in Greek and Roman Myths About Women,” in Greek Tragedy and its Legacy: Essays Presented to D. J. Conacher edited by M. Cropp, E. Fantham, and S. E. Scully (1986) 149-165
M. Williamson, “A Woman’s Place in Euripides’ Medea,” in Euripides, Women, and Sexuality edited by A. Powell, London and New York (1990) 16-31 / bmcr
V. Wohl, Intimate Commerce: Exchange, gender,and Subjectivity in Greek Tragedy, Austin, Texas: The University of Texas Press (1998) / bmcr
I. Worthington, “The Ending of Euripides’ Medea,” Hermes 118 (1990) 502-505
F. I. Zeitlin, “The Body’s Revenge: Dionysos and Tragic Action in Euripides’ Hekabe,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “The Power of Aphrodite: Eros and the Boundaries of the Self in Euripides’ Hippolytos,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr
F. I. Zeitlin, “Mysteries of Identity and Designs of the Self in Euripides’ Ion,” in Playing the Other: Gender and Society in Classical Greek Literature, Chicago: University of Chicago Press (1995) / bmcr