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C. Bennett, “Concerning ‘Sappho Schoolmistress’,” Transactions of the American Philological Association 124 (1994) 345-48 / full text
P. Bing and R. Cohen, Games of Venus: an anthology of Greek and Roman erotic verse from Sappho to Ovid, New York and London (1991) / bmcr
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Brooten, Bernadette J., Love Between Women: Early Christian Responses to Female Homoeroticism, Chicago (1996) [1. Introduction; 2. Introduction: Of Sappho, Woman-Woman Marriage, and the Ways of the Egyptians; 3. “Inflame Her Liver with Love”: Greek Erotic Spells from Egypt; 4. Predetermined Erotic Orientations: Astrological Texts; 5. Women with Masculine Desires: Medical Treatments; 6. Unnatural Love: Classifying Dreams; 7. Introduction: Of British Schoolteachers and Romans; 8. Paul’s Letter to the Romans: Interpretive Frameworks and Female Homoeroticism; 9. Romans 1:18-32: A Commentary 10. Intertextual Echoes in Romans 1:18-32; 11. Tortures in Hell: Early Church Fathers on Female Homoeroticism; 12. Conclusion] / web link / bmcr
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Christina Clark, “The Body of Desire: Nonverbal Communication in Sappho 31V,” Syllecta Classica 12 (2001) 1-32
J. DeJean, Fictions of Sappho, 1546-1937, Chicago (1989)
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P. duBois, Sappho is Burning, Chicago: University of Chicago Press (1995) / web link
DuBois, Page, “Sappho and Helen,” Arethusa 11 (l978) 89-99
Nancy Freedman, Sappho: The Tenth Muse, New York: Saint Martin’s Press (1998)
Giacomelli, Ann, “The Justice of Aphrodite in Sappho Fr. 1.,” Transactions of the American Philological Association 110 (1980) 135-142 / full text
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P. Green, The Laughter of Aphrodite: A Novel About Sappho of Lesbos, Berkeley (1993) / bmcr
E. Greene, “Apostrophe and Women’s Erotics in the Poetry of Sappho,” Transactions of the American Philological Association 124 (1994) 41-56 / full text
E. Greene, “Sappho, Foucault, and Women’s Erotics,” Arethusa 29.1 (1999) 1-14 / pdf
E. Greene, “Re-Figuring the Feminine Voice: Catullus Translating Sappho,” Arethusa 32.1 (1996) 1-18 / pdf
E. Greene, Reading Sappho: Contemporary Approaches, Berkeley: University of California Press (1997) [Contributions by Giuliana Lanata, Mary R. Lefkowitz, Gregory Nagy, Charles Segal, Page duBois, Jack Winkler, Claude Calame, Judith Hallett, Eva Stehle, Andre Lardinois, Marilyn B. Skinner, Anne Carson, Ellen Greene, Margaret Williamson] / web link / bmcr
Greene, Ellen, Rereading Sappho: Reception and Transmission, Berkeley and Los Angeles (1996) [Contributors: Harriette Andreadis, Joan DeJean, Susan Gubar, Elizabeth D. Harvey, Glenn W. Most, Dolores O’Higgins, Holt N. Parker, Yopie Prins, and Erika Rohrbach.] / bmcr
Hague, Rebecca Sinos, “Sappho’s Consolation to Atthis, fr. 96 L-P,” American Journal of Philology 105 (l984) 29-36 / full text
J. Hallett, “Sappho and her Social Context: Sense and Sensuality,” Signs 4 (1979) 447-464
Hallett, Judith P., “Sappho and Her Social Context: Sense and Sensuality,” Signs 4 (l979) 447-464
Harvey, Elizabeth D., “Ventriloquizing Sappho: Ovid, Donne, and the Erotics of the Feminine Voice,” Classical Reviewiticism 21 (1989) 115-138
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A. Lardinois, “Lesbian Sappho and Sappho of Lesbos,” in From Sappho to de Sade: Moments in the History of Sexuality edited by J. Bremmer (1991)
Lardinois, Andre, “Subject and Circumstance in Sappho’s Poetry,” Transactions of the American Philological Association 124 (1994) 57-84 / full text
M. Lefkowitz, “Critical Stereotypes and the Poetry of Sappho,” GRBS
Lidov, Joel, “The Second Stanza of Sappho 31: Another Look,” American Journal of Philology 114 (1993) 503-535 / full text
Marcovich, Miroslav, “Sappho: Fr. 31: Anxiety Attack or Love Declaration?,” Classical Quarterly 22 (l972) 19-32 / full text
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Laura McClure, Sexuality and Gender in the Classical World: Blackwell Publishers (2002) [1. Editor’s Introduction: Laura McClure. Part I: Greece: 2. Classical Attitudes to Sexual Behaviour: K. J. Dover. Excerpt:: Aristophanes’ Speech from Plato, Symposium 189d7-192a1. 3. Double-Consciousness in Sappho’s Lyrics: J. J. Winkler. Excerpt:s: Sappho 1 and 31; Homer, Iliad 5.114-132; Odyssey 6.139-85. 4. Bound to Bleed: Artemis and Greek Women: H. King. Excerpts: Hippocrates, On Unmarried Girls; Euripides, Hippolytus 59-105. 5. Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama: F. Zeitlin. Excerpts: Sophocles, Women of Trachis 531-587, 1046-1084; Euripides, Bacchae 912-944. Part II: Rome: 6. The Silent Women of Rome: M. I. Finley. Excerpts: Funerary Inscriptions: CE 81.1-2, 158.2, 843, 1136.3-4; ILS 5213, 8402, 8394; CIL 1.1211, 1.1221, 1.1837. 7. The Body Female and the Body Politic: Livy’s Lucretia and Verginia: S. R. Joshel. Excerpts: Livy, On the Founding of Rome, 1.57.6-59.6. 8. Mistress and Metaphor in Augustan Elegy: M. Wyke. Excerpts: Propertius, 1.8a-b and 2.5; Cicero, In Defense of Marcus Caelius 20.47-21.50. 9. Pliny’s Brassiere. Excerpt:: Pliny, Natural History 28.70-82. Part III: Classical Tradition: 10. “The Voice of the Shuttle Is Ours.” P. K. Joplin. Excerpt: Ovid, Metamorphoses 6.424-623.] / bmcr
McEvilley, Thomas, “Sappho, Fragment Thirty-One: The Face Behind the Mask,” Phoenix 32 (l978) 1-18
G. W. Most, “Reflecting Sappho,” BICS 40 (1995) 15-38
Nagy, Gregory, “Phaethon, Sappho’s Phaon, and the White Rock of Leukas,” Harvard Studies in Classical Philology 77 (l973) 137-177 / full text
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D. O’Higgins, “Sappho’s Splintered Tongue: Silence in Sappho 31 and Catullus 51,” American Journal of Philology 111 (1990) 156-167 / full text
H. N. Parker, “Sappho Schoolmistress,” Transactions of the American Philological Association 123 (1993) 309-351 / full text
J. C. B. Petropoulos, “Sappho the Sorceress — Another Look at fr. 1 (LP),” ZPE 97 (1993) 43-56
Prins, Yopie, “Sappho Doubled: Michael Field,” The Yale Journal of Criticism 8 (1995) 165-186
Yopie Prins and Shreiber Maeera, Dwelling in Possibility : Women Poets and Critics on Poetry (Reading Women Writing), Ithaca: Cornell Univ Press (1997)
Prins, Yopie, Victorian Sappho, Princeton: Princeton University Press (1999) [Examines 19th-century translations and imitations of Sappho; argues that today’s image of the Greek poet is in many ways a creation of Victorian poetics.] / web link / web link / bmcr
Nancy Sorkin Rabinowitz and Lisa Auanger, Among Women: From the Homosocial to the Homoerotic in the Ancient World: University of Texas Press (2002) [Introduction (Nancy Sorkin Rabinowitz); Imag(in)ing a Women’s World in Bronze Age Greece: The Frescoes from Xeste 3 at Akrotiri, Thera (Paul Rehak); Aphrodite Garlanded: Erts and Poetic Creativity in Sappho and Nossis (Marilyn B. Skinner); Subjects, Objects, and Erotic Symmetry in Sappho’s Fragments (Ellen Greene); Excavating Female Homoeroticism in Ancient Greece: The Evidence from Attic Vase Painting (Nancy Sorkin Rabinowitz); Women in Relief: “Double Consciousness” in Classical Attic Tombstones (John G. Younger); Glimpses through a Window: An Approach to Roman Female Homoeroticism through Art Historical and Literary Evidence (Lisa Auanger); Ovid’s Iphis and Ianthe: When Girls Won’t Be Girls (Diane T. Pintabone); Lucian’s “Leaena and Clonarium”: Voyeurism or a Challenge to Assumptions? (Shelley P. Haley); “Friendship and Physical Desire”: The Discourse of Female Homoeroticism in Fifth-Century CE Egypt (Terry G. Wilfong) ]
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D. J. Rayor, Sappho’s Lyre: archaic lyric and women poets of ancient Greece (1991)
Rissman, Leah, “Love as War: Homeric Allusion in the Poetry of Sappho,” Beitrage zur Klassischen Philologie 157 (l983)
E. Robbins, “Sappho, Aphrodite, and the Muses,” The ancient world 26.2 (1995) 225ff.
L. P. Schrenk, “Sappho Frag. 44 and the ‘Iliad’,” Hermes 122.2 (1994) 144-50
C. Segal, “Eros and Incantation: Sappho and Oral Poetry,” Arethusa 7 (1974) 139-160
Charles Segal, Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna, Lanham, MD: Rowman (1998)
Ronda R. Simms, “A Date with Adonis,” Antichthon 31 (1997) 45-53
M. B. Skinner, “Sapphic Nossis,” Arethusa 22 (1989) 5-18
M. B. Skinner, “Women and Language in Archaic Greece, or, Why is Sappho a Woman?,” in Feminist Theory and the Classics edited by N. S. Rabinowitz and A. Richlin 125-144 / bmcr
Skinner, Marilyn B., “Aphrodite Garlanded: Eros and Poetic Creativity in Sappho and Nossis,” in Rose di Pieria edited by F. de Martino, Bari: Lavante (1991 🙂 79-96
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J. M. Snyder, Lesbian Desire in the Lyrics of Sappho, New York: Columbia University Press (1997) [Introduction: A Woman-Centered Perspective on Sappho; Ch. 1. Sappho and Aphrodite; Ch. 2. The Construction of Desire; Ch. 3. Eros and Reminiscence; Ch. 4. Sappho’s Challenges to the Homeric Inheritance; Ch. 5. The Aesthetics of Sapphic Eros; Ch. 6. Sappho’s Other Lyric Themes; Epilogue: Sappho and Modern American Women Poets] / web link / web link
J. M. Snyder, “The Configuration of Desire in Sappho fr. 22 L-P,” Helios 21.1 (1994) 3-8
Snyder, Jane, “Public Occasion and Private Passion in the Lyrics of Sappho of Lesbos,” in Women’s History and Ancient History edited by Sarah B. Pomeroy, Chapel Hill and London (1991) 1-19
Jane McIntosh Snyder, “Sappho in Attic Vase Painting,” in Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology edited by Ann Olga Koloski-Ostrow and Claire L. Lyons, London: Routledge (1997) / web link / bmcr
G. Spraggs, Divine Visitations: Sappho’s Poetry of Love edited by E. Hobby and C. White (1991) 50-67
E. Stehle, Performance and Gender in Ancient Greece, Princeton: Princeton University Press (1997) [Community Poetry; Women in Performance in the Community; Male Performers in the Community; Bardic Poetry; The Symposium; Sappho’s Circle] / web link
E. Stehle, “Sappho’s Gaze: Fantasies of a Goddess and a Young Man,” differences 2 (1990) 88-125
E. Stehle, Gender and Performance in Ancient Greece: Nondramatic Poetry in Its Setting, Princeton (1996)
E. Stehle, “Sappho’s Private World,” in Reflections of Women in Antiquity edited by H. Foley (1981) 45-61
E. Stigers, “Romantic Sensuality, Poetic Sense: A Response to Hallett on Sappho,” Signs: Journal of Women in Culture and Society 4 (1979) 465-471
E. Vandiver, “Fireflies in a Jar,” Parnassus: Poetry in Review 21 (1996) 59-76
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A. Weigall, Sappho of Lesbos: her life and times (1932)
Wilhelm, James J., Gay and Lesbian Poetry: An Anthology from Sappho to Michelangelo, New York and London: Garland (1995) / bmcr
M. Williamson, Sappho’s Immortal Daughters, Boston: Harvard University Press (1995) / bmcr
G. Wills, “Sappho 31 and Catullus 51,” GRBS 8 (1967) 167-197
Wills, Gary, “The Sapphic ‘Umvertung aller Werte’,” American Journal of Philology 88 (l967) 434-444 / full text
Wilson, Lyn Hatherly, Sappho’s Sweetbitter Songs. Configurations of Female and Male in Ancient Greek Lyric, London and New York: Routledge (1996) / bmcr
J. Winkler, “Gardens of Nymphs: Public and Private in Sappho’s Lyrics,” in Reflections of Women in Antiquity edited by H. Foley (1981) 63-89
J. Winkler, “Double Consciousness in Sappho’s Lyrics,” in The Constraints of Desire. The Anthropology of Sex and Gender in Ancient Greece, New York and London: Routledge (1990) / bmcr / web link
Winkler, Jack, “Gardens of Nymphs: Public and Private in Sappho’s Lyrics,” Women’s Studies 8 (l981) 65-91
Maria Wyke, Parchments of gender: deciphering the bodies of antiquity, Oxford: Clarendon Press (1998) [Introduction Maria Wyke; 1. Ithyphallic Males Behaving Badly; or, Satyr Drama as Gendered Tragic Ending Edith Hall; 2. `The Mother of the Argument’: Eros and the Body in Sappho and Plato’s Phaedrus Helene P. Foley; 3. Talking Recipes in the Gynaecological Texts of the Hippocratic Corpus Ann Ellis Hanson; 4. Controlling Daughters’ Bodies in Sirach Jon L. Berquist; 5. Austerity, Excess, Success, and Failure in Hellenistic and Early Imperial Italy Emma Dench; 6. Poisonous Women and Unnatural History in Roman Culture Sarah Currie; 7. Discovering the Body in Roman Oratory Erik Gunderson; 8. The Emperor’s New Body: Ascension from Rome Mary Beard John Henderson; 9. `Ordering the House’: On the Domestication of Jewish Bodies Cynthia M. Baker; 10. Playing Roman Soldiers: The Martyred Body, Derek Jarman’s Sebastiane, and the Representation of Male Homosexuality Maria Wyke; 11. Sowing the Seeds of Violence: Rape, Women, and the Land Carol Dougherty ] / web link
Maria Wyke, The Roman Mistress: Ancient and Modern Representations., Oxford: Oxford University Press (2002) [1. Part 1. Love Poetry Mistress and Metaphor in Augustan Elegy; 2. Written Women: Propertius’ scripta puella (2. 10-13); 3. The Elegiac Woman at Rome: Propertius Book 4; 4. Reading Female Flesh: Ovid Amores 3. 1; 5. Part 2. Reception Taking the Woman’s Part: Gender and Scholarship on Love Elegy; 6. Meretrix regina: Augustan Cleopatras; 7. Oriental Vamp; Cleopatra 1910s; 8. Glamour Girl: Cleopatra 1930s – 1960s; 9. Meretrix Augusta: Messalina 1870s – 1920s; 10. Suburban Feminist: Messalina 1930s – 1970s] / bmcr
Dimitrios Yatromanolakis, “Alexandrian Sappho Revisited,” Harvard Studies in Classical Philology 99 (1999) 179-195 / full text