• James I. Porter (ed.), Constructions of the Classical Body: University of Michigan Press (1999) [Introduction; Smashing Bodies: The Corinthian Tydeus and Ismene Amphora (Louvre E640); Reflections on Erotic Desire in Archaic and Classical Greece; Dirt and Desire: The Phenomenology of Female Pollution in Antiquity; Pindar and the Prostitutes, or Reading Ancient “Pornography”; From a Grin to a Death: The Body in the Greek Discovery of Politics; Sexual Bodybuilding: Aeschines against Timarchus; Odor and Power in the Roman Empire; Cicero’s Head; The Roman Blush: The Delicate Matter of Self-Control; Anti-Pygmalion: The Praeceptor in Ars Amatoria, Book 3; The Suffering Body: Philosophy and Pain in Seneca’s Letters; Chronic Pain and the Creation of Narrative; Truth Contests and Talking Corpses; Sweet Honey in the Rock: Pleasure, Embodiment, and Metaphor in Late-Antique Platonism; Ovid’s Body; Herculean Muscle!: The Classicizing Rhetoric of Bodybuilding] / bmcr
  • Aymard, J., “Vénus et les impératrices sous les derniers Antonins,” MélRome 51 (1934) 178-196
  • Baharal, D., “The Portraits of Julia Domna from the Years 193-211 A.D. and the Dynastic Propaganda of L. Septimius Severus,” Latomus 51.1 (1992) 110ff.
  • Bartels, H., Studien zur Frauenporträt der augusteischen Zeit, Munich (1963)
  • Elizabeth Bartman, Portraits of Livia: Imaging the Imperial Woman in Augustan Rome, Cambridge: Cambridge University Press (1998) / bmcr
  • Henry Bender, “De Habitu Vestis: Clothing in the Aeneid,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • B. Bergmann, “The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii,” Art Bulletin (1994) 225-256
  • Bergmann, Bettina, “The Pregnant Moment: Tragic Wives in the Roman Interior,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Bergmann, M., Studien zum römischen Porträt des 3. Jahrhunderts n. Chr., Bonn (1977)
  • Boatwright, M.T., “The City Gate of Plancia Magna in Perge,” in Roman Art in Context: An Anthology edited by E. D’Ambra: Prentice Hall (1992) 189-207
  • Stephanie Boehm, Die ‘nackte Göttin’: zur Ikonographie und Deutung unbekleideter weiblicher Figuren in der frühgriechischen Kunst, Mainz am Rhein: Deutsches Archaeologisches Institut (1990)
  • Brendel, Otto J., “The Scope and Temperament of Erotic Art in the Greco-Roman World,” in Studies in Erotic Art edited by Theodore Bowie and Cornelia V. Christenson, New York (1970) 3-69
  • Luc Brisson, Sexual Ambivalence: Androgyny and Hermaphroditism in Graeco-Roman Antiquity, translated from the French by Janet Lloyd, Berkeley: University of California Press (2002) [ISBN 0-520-23148-1 ] / bmcr
  • Carandini, A., Vibia Sabina, Florence (1956)
  • J. R. Clarke, The Houses of Roman Italy, 100 BC – AD 250. Ritual, Space, and Decoration, Berkeley (1991)
  • Clarke, John R, Looking at Lovemaking in Roman Art: Constructions of Sexuality 100 B.C. to A.D. 250, Berkeley: University of California Press (1998) / bmcr  / web link
  • Clarke, John., “Hypersexual Black Men in Augustan Baths: Ideal Somatypes and Apotropaic Magic,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Crawford, J., “Capita Desecta and Marble Coiffures,” MAAR 1 (1917)
  • E. D’Ambra, “Representing Roman women,” JRA 11 (1998) 546-553
  • E. D’Ambra, “Representing Roman Women,” JRA 11 (1998) 546-553
  • D’Ambra, Eve, Private Lives, Imperial Virtues. The Frieze of the Forum Transitorium in Rome, Princeton (1993)
  • D’Ambra, Eve, “Mourning and the Making of Ancestors in the Testamentum Relief,” American Journal of Archaeology 99 (1995) 667-681 / full text
  • D’Ambra, Eve, “The Calculus of Venus: Nude Portraits of Roman Women,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • D’Ambra, Eve., “The Cult of Virtues and the Funerary Relief of Ulpia Epigone,” Latomus 43 (1989) 392-400
  • Daltropp, G., U. Hausmann, and M. Wegner, Die Flavier: Vespasian, Titus, Domitian, Nerva, Julia Titi, Domitilla, Domitia, Berlin (1966)
  • Davis, Whitney, “Winkelmann’s ‘Homosexual’ Teleologies,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Elsner, John, “Naturalism and the Erotics of the Gaze: Intimations of Narcissus,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Erhart, K.P., “A Portrait of Antonia Minor in the Fogg Art Museum and its Iconographical Tradition,” American Journal of Archaeology 82 (1978) 193-212 / full text
  • Erhart, K.P., “A New Portrait Type of Octavia Minor (?),” Getty Museum Journal 8 (1980) 117-128
  • Fejfer, J., “The Portraits of the Severan Empress Julia Domna: A New Approach,” Anal.Rom. 14 (1985) 131-134
  • Fejfer, J. and E. Southworth, The Ince Blundell Collection of Classical Sculpture – The Portraits Part I, London (1991)
  • L. Fierz-David, Women’s Dionysian Initiation: The Villa of the Mysteries in Pompeii, Dallas 1988)
  • Fischer-Hansen, T., J. Lund, M. Nielsen and A. Rathje, “Ancient Portraiture: Image and Message,” Acta Hyperborea 4 (1992)
  • T. Fischer-Hansen, J. Lund, M. Nielsen and A. Rathje, “Ancient Portraiture, Image and Message,” Acta Hyperborea 4 (1992)
  • Fittschen, K. Die Bildnistypen der Faustina Minor und die Fecunditas Augustae, Göttingen (1982)
  • Fittschen, K., “Two Portraits of Septimius Severus and Julia Domna,” Indiana University Art Museum Bulletin (1977-78) 35ff.
  • Fittschen, K. and P. Zanker, Katalog der römischen Porträts in den Capitolinischen Museen und den anderen kommunalen Sammlungen der Stadt Rom III. Kaiserinnen- und Prinzessinnenbildnisse Frauenporträts, Mainz (1983)
  • Flory, M., “The deification of Roman women,” AHB 9.3/4 (1995) 127-134
  • Marleen B. Flory, “The Meaning of Augusta in the Julio-Claudian Period,” American Journal of ArchaeologyH 13 no. 2 (1997) 113-138
  • Flory, Marleen B., “Livia and the history of public honorific statues for women in Rome,” Transactions and Proceedings of the American Philological Association 123 (1993) 287-308 / full text
  • Marleen B. Flory, “The Integration of Women into the Roman Triumph,” Historia 47 no. 4 (1998) 489-494
  • Flory, Marleen Boudreau, “Sic exempla parantur: Livia’s Shrine to Concordia and the Porticus Liviae,” Historia 33 (1984) 309ff.
  • Laetitia La Follette, “The Costume of the Roman Bride,” in The World of Roman Costume, Madison
  • D. Fredrick, “Beyond the Atrium to Ariadne: Erotic Painting and Visual Pleasure in the Roman House,” Classical Antiquity (1995) 266-288
  • David Fredrick, The Roman gaze: vision, power, and the body, Baltimore: Johns Hopkins University Press (2002) [Introduction: Invisible Rome / David Fredrick; 1. Split Vision: The Politics of the Gaze in Seneca’s Troades / Cindy Benton; 2. This Ship of Fools: Epic Vision in Lucan’s Vulteius Episode / Katherine Owen Eldred; 3. Some Unseen Monster: Rereading Lucretius on Sex / Pamela Gordon; 4. Reading Programs in Greco-Roman Art: Reflections on the Spada Reliefs / Zahra Newby; 5. Look Who’s Laughing at Sex: Men and Women Viewers in the Apodyterium of the Suburban Baths at Pompeii / John R. Clarke; 6. Political Movement: Walking and Ideology in Republican Rome / Anthony Corbeill; 7. Being in the Eyes: Shame and Sight in Ancient Rome / Carlin Barton; 8. Mapping Penetrability in Late Republican and Early Imperial Rome / David Fredrick; 9. Looking at Looking: Can You Resist a Reading? / Alison R. Sharrock]
  • M. D. Fullerton, “The Domus Augusti in Imperial Iconography of 13-12 B.C.,” American Journal of Archaeology 89 (1985) 473-483 / full text
  • Furnee-van Zwet, L., “Fashion in Women’s Hair-Dress in the First Century of the Roman Empire,” BABesch 31 (1956) 1-22
  • B. Gallistl, “Maske und Spiegel: Zur Maskenszene des Pompejaner Mysterienfrieses,” Studien zur Kunstgeschichte 101
  • E. K. Gazda, Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula, Ann Arbor (1995) / web link
  • Richard A. Gergel, “Costume as Geographic Indicator: Barbarians and Prisoners on Cuirassed Statue Breastplates,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Bernard Goldman, “Graeco-Roman Dress in Syro-Mesopotamia,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Norma Goldman, “Roman Footwear,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Norma Goldman, “Reconstructing Roman Clothing,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Grether, G.E., “Livia and the Roman Imperial Cult,” American Journal of Philology 67 (1946) 222-252 / full text
  • Gross, W.H., Julia Augusta. Untersuchungen zur Grundlegung einer Livia- Ikonographie, Göttingen (1962)
  • E. Harris, “Material Girl: Feminist Confrontations with Roman Art (Response to Natalie Kampen),” Arethusa 27.1 (1994) 139 ff.
  • Hausmann, U., “Zu den Bildnissen der Domitia Longina und der Julia Titi,” RM 82 (1975) 315-328
  • Helbig, A., “Osservazioni sopra i ritratti di Fulvia e di Ottavia,” MAAL 1 (1889) 573-590
  • Emily Ann Hemelrijk, Matrona Docta: Educated Women in the Roman Elite from Cornelia to Julia Domna, London and New York: Routledge (1999) [ISBN 0-415-19693-0] / bmcr
  • Henig, Martin; Wilkins, Robert., “A new portrait of Antonia Minor,” OJA 15.1 (1996) 109ff.
  • Herrmann, J.J., “Rearranged Hair: A Portrait of a Roman Woman in Boston and Some Recarved Portraits of Earlier Imperial Times,” Journal of the Museum of Fine Arts, Boston 3 (1991) 35-50
  • Julia Heskel, “Cicero as Evidence for Attitudes to Dress in the Late Republic,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Hiesinger, U., “Julia Domna: Two Portraits in Bronze,” American Journal of Archaeology 73 (1969 43) / full text
  • Johns, Catherine, Sex or Symbol: Erotic Images of Greece and Rome, Austin, Tex (1982)
  • Kampen, N., “Biographical Narration and Roman Funerary Art,” American Journal of Archaeology no. 85 (1981) 47- 58 / full text
  • Kampen, N., “Meaning and Social Analysis of a Late Antique Sarcophagus,” BABesch 52-53 (1977-78) 221-232
  • Kampen, N., Image and Status: Roman Working Women at Ostia, Berlin (1981)
  • Kampen, N., “The Muted Other,” Art Journal 47 (1988) 15-19
  • Kampen, N., “Reliefs of the Basilica Aemilia: A Redating,” Klio 73 (1991) 448-458
  • Kampen, N., “Between Public and Private: Women as Historical Subjects in Roman Art,” in Women’s History and Ancient History edited by S. Pomeroy, Chapel Hill (1991)
  • Kampen, N., “Material Girl: Feminist Confrontations with Roman Art,” Arethusa 27.1 (1994) 111 ff.
  • Kampen, Natalie, “Omphale and the Instability of Gender,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Kampen, Natalie Boymel, Sexuality in Ancient Art, Cambridge (1996)
  • Natalie Boymel Kampen, “Epilogues: Gender and Desire,” in Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology edited by Ann Olga Koloski-Ostrow and Claire L. Lyons, London: Routledge (1997) / web link  / bmcr
  • Kellum, Barbara, “The Phallus as Signifier: The Forum of Augustus and Rituals of Masculinity,” in Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy edited by N. Kampen: CUP (1996) / web link
  • Frances Van Keuren, “Myth, Sexuality and Power. Images of Jupiter in Western Art,” Archaeologia Transatlantica XVI, Providence, Rhode Island and Louvain-La-Neuve, Belgium (1998) [R. Ross Holloway, Van Keuren, Karl Kilinski II, Michael A. Jacobsen, Carolyn H. Wood, Mary D. Sheriff, Mary Lee Sullivan] / bmcr
  • Kleiner, D. E. E., “Private Portraiture in the Age of Augustus,” in The Age of Augustus edited by R. Winkes, Louvain (1985) 107-35
  • Kleiner, D.E.E., “The Great Friezes of the Ara Pacis Augustae. Greek Sources, Roman Derivatives, and Augustan Social Policy,” MEFRA 90 (1978) 753-83
  • Kleiner, D.E.E., “A Portrait Relief of D. Apuleius Carpus and Apuleia Rufina in the Villa Wolkonsky,” ArchCl 30 (1978) 246-251
  • Kleiner, D.E.E. and F.S. Kleiner, “The Apotheosis of Antoninus and Faustina,” RendPontAcc 51-52 (1978-1980) 389-400
  • Kleiner, D.E.E., “Second-Century Mythological Portraiture: Mars and Venus,” Latomus 40 (1981) 512-44
  • Kleiner, D.E.E., “Women and Family Life on Roman Imperial Funerary Altars,” Latomus 46 (1987) 545-54
  • Kleiner, D.E.E., “Social Status, Marriage, and Male Heirs in the Age of Augustus: A Roman Funerary Relief,” North Carolina Museum of Art Bulletin 14 (1990) 20-28
  • Kleiner, D.E.E., “Politics and Gender in the Pictorial Propaganda of Antony and Octavian,” Echos du monde classique. Classical Views 36.11 (1992) 357-367
  • Kleiner, D.E.E. and S.B. Matheson, I, Claudia: Women in Ancient Rome exhibition catalogue, New Haven: Yale University Art Gallery (1996) / bmcr
  • Diana E. E. Kleiner and Susan B. Matheson, I Claudia II: women in Roman art and society, Austin: University of Texas Press (2000) [Contributors: M.T. Boatwright, E. D’Ambra, D. Delia, A.E. Hanson, D.E.E. Kleiner, S.B. Matheson, A. Oliver, C.C. Vermeule III, R. Winkes and S. Wood] / bmcr
  • N. Kokkinos, Antonia Augusta. Portrait of a Great Roman Lady (1992) [My book ‘Antonia Augusta’ (London/New York: Routledge 1992) has now appeared in a paperback edition (London: Libri 20002), with an updated chapter of c. 15,000 words. Apart from a collection of new evidence (literary, documentary and archaeological), there are replies to most reviews that the book received in the last decade. This chapter may broadly be said to be a guide to recent work on Early Imperial Rome.] / bmcr
  • Ann Olga Koloski-Ostrow, “Violent Stages in Two Pompeian Houses: Imperial Taste, Aristocratic Response, and Messages of Male Control,” in Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology edited by Ann Olga Koloski-Ostrow and Claire L. Lyons, London: Routledge (1997) / web link  / bmcr
  • L’Orange, H.P., “Zum frührömischen Frauenporträt,” RM 44 (1929) 167-179
  • K. Lehmann, “Ignorance and Search in the Villa of the Mysteries,” Journal of Roman Studies 52 (1962) 62-68 / full text
  • Leon, E.F., “Scribonia and her Daughters,” Transactions of the American Philological Association 82 (1951) 168-175 / full text
  • Molly Lindner, Portraits of the Vestal Virgins and their Imperial Patrons: Sculptures and Inscriptions from the Atrium Vestae in the Roman Forum, Ph.D. Dissertation, University of Michigan, Ann Arbor (1995)
  • R. Ling, Roman Painting: Cambridge University Press (1991)
  • Lusnia, S., “Julia Domna’s Coinage and Severan Dynastic Propaganda,” Latomus 54.1 (1995) 119-140
  • Marcadé., Jean, Roma Amor: Essay on Erotic Elements in Etruscan and Roman Art, Geneva (1965)
  • Meischner, J. Das Frauenporträt der Severerzeit, , Dissertation Berlin (1964)
  • Mikocki, T., “Faustine la Jeune en Vénus – mythes et faits,” Ritratto ufficiale e ritratto privato, Quaderni della ricerca scientifica edited by N. Bonacasa and G. Rizza 116, Rome (1988) 383-389
  • Moeller, W.O., “The Building of Eumachia: A Reconsideration,” American Journal of Archaeology 76 (1972) 323- 327 / full text
  • Dominic Montserrat, Changing bodies, changing meanings: studies on the human body in antiquity, London: Routledge (1998) [Contributors: Angus Bowie, Gillian Clark, Richard Hawley, Lynn Meskell, Dominic Montserrat, Penelope Murray, Jane Stevenson, Nicholas Vlahogiannis, Terry Wilfong] / bmcr
  • Nodelmann, S.A., “A Portrait of the Empress Plautilla,” GettyMJ 10 (1982) 116-120
  • Polaschek, K., “Studien zu einem Frauenkopf im Landesmuseum Trier und zur weiblischen Haartracht der iulisch-claudischen Zeit,” TrZ 35 (1972) 141- 210
  • Polaschek, K., Studien zur Ikonographie der Antonia Minor, Rome (1973)
  • Polaschek, K., Porträttypen einer claudischen Kaiserin, Rome (1973)
  • Rawson, Beryl, “The iconography of Roman childhood,” in The Roman family in Italy. Status, sentiment, space edited by Beryl Rawson and Paul Weaver, Oxford: Clarendon Press (1997) 205-232
  • Rodenwaldt, G., “Porträtbusten vom Hateriergrab,” AA 56 (1941) 766-777
  • Schauenberg, K., “Perückträgerin in Blattkelch,” Städel Jahrbuch 1 (1967)
  • Schimdt, E.E., “Die Mars-Venus-Gruppe im Museo Capitolino,” AntP 8 (1968) 85-94
  • Schlüter, R. Die Bildnisse der Kaiserin Julia Domna, , Dissertation Münster (1977)
  • R. A. S. Seaford, “The Mysteries of Dionysos at Pompeii,” in Pegasus: Classicial Essays from the University of Exeter edited by H. W. Stubbs (1981) 52-68 / web link
  • Judith Lynn Sebasta, “Symbolism in the Costume of the Roman Woman,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Judith Lynn Sebasta, “Tunica Ralla, Tunica Spissa: The Colors and Textiles of Roman Costume,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Sebesta, J.L., The World of Roman Costume edited by L. Bonfante, Madison (1994)
  • S. Silberberg-Peirce, “The Muse Restored: Images of Women in Roman Painting,” Woman’s Art Journal (Fall 93/Winter 94) 28-36
  • Stehle, E., “Venus, Cybele and the Sabine Women: The Roman Construction of Female Sexuality,” Helios 16 (1989) 143-164
  • Steininger, R., Die weiblichen Haartrachten im ersten Jarhrhundert des römischen Kaiserzeit, Munich (1909)
  • Tom Stevenson, “The ‘problem’ with nude honorific statuary and portraits in late republican and Augustan Rome,” Greece & Rome 45 no. 1 (1998) 45-69 / full text
  • Stone, S., “The Imperial Sculpture Group in the Metroon at Olympia,” AthMitt 100 (1985) 377-391
  • Shelley Stone, “The Toga: From National to Ceremonial Costume,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • Ann M. Stout, “Jewelry as a Symbol of Status in the Roman Empire,” in The World of Roman Costume edited by Judith Lynn Sebesta and Larissa Bonfante, Madison: University of Wisconsin Press (1994)
  • M. C. Sturgeon, “The Corinth Amazon: Formation of a Roman Classical Sculpture,” American Journal of Archaeology 99.3 (1995) 483 / full text
  • Touchette, L.-A., “Hellenistic and classical dancing maenads. Copies of the Roman period,” Akten des XIII. Internationalen Kongresses für Klassische Archäologie Berlin 1988, Mainz: von Zabern: Deutsches Archäologisches Institut (1990) 512-514
  • J. M. C. Toynbee, “The Villa Item and a Bride’s Ordeal,” Journal of Roman Studies 19 (1929) 67-87 / full text
  • Trillmich, W., Das Torlonia-Mädchen. Zur Herkunft und Entstehung des kaiserzeitlichen Frauenporträts, Göttingen (1976)
  • Trillmich, W., Familienpropaganda der Kaiser Caligula und Claudius: Agrippina Major und Antonia Augusta auf Münzen, Berlin (1978)
  • Trimble, J. , “Replicating the body politic: the Herculaneum Women statue types in Early Imperial Italy,” JRA 13.1 (2000) 41-68
  • Varner, Eric R., “Domitia Longina and the Politics of Portraiture,” American Journal of Archaeology 99 (1995) 187-206 / full text
  • Antonio Varone, Eroticism in Pompeii, Los Angeles: J. Paul Getty Museum (2001) [Pp. 115, 105 colour illustrations, ISBN 0-89236-628-1] / bmcr
  • Venit, Marjorie Susan, “The Stagni Painted Tomb: Cultural Interchange and Gender Differentiation in Roman Alexandria,” American Journal of Archaeology 103.4 (1999)
  • Vermeule, C.C., “Matidia the Elder, A Pivotal Woman of the Height of Roman Imperial Power,” in N. Basgelen and M. Lugal, eds. Festschrift für Jale Inan, Istanbul (1989)
  • A. Wallace-Hadrill, Houses and Society in Pompeii and Herculaneum, Princeton: Princeton University Press (1994) / bmcr
  • Walter, C., “The Dextrarum Iunctio of Lepcis Magna in Relationship to the Iconography of Marriage,” Antiquités africaines 14 (1979) 271-283
  • Wegner, M., Die Herrscherbildnisse in antoninischer Zeit, Berlin (1939)
  • Wegner, M., Hadrian, Plotina, Marciana, Matidia, Sabina, Berlin (1956)
  • Wessel, K., “Römische Frauenfrisuren von der severischen bis zur konstantinischen Zeit,” AA 61 (1946-1947) 62-76
  • Will, E., “Women in Pompeii,” Archaeology 32 (1979) 37-41
  • Wilson, L.M., The Clothing of the Ancient Romans, Baltimore (1938)
  • Wood, S., “Alcestis on Roman Sarcophagi,” American Journal of Archaeology 82 (1978) 499-510 / full text
  • Wood, S., Roman Portrait Sculpture 217-260 A.D., Leiden (1986)
  • Wood, S., Imperial Women: A Study in Public Images, 40 B.C. – A.D. 68, Leiden: Brill, Mnemosyne Supplementum 194 (1999) / bmcr
  • Wood, S., “Sisters and Mothers of Tyrants: The Case of Agrippina, Drusilla and Livilla,” American Journal of Archaeology 99 (1995) 332 / full text
  • Wood, S., “Diva Drusilla Panthea and the Sisters of Caligula,” American Journal of Archaeology 99 (1995) 457-483 / full text
  • Wood, S., “Memoriae Agrippinae: Agrippina the Elder in Julio-Claudian Art and Propaganda,” American Journal of Archaeology 92 (1988) 409-426. / full text
  • Wrede, H., “Das Mausoleum der Claudia Semne und die bürgerliche Plastik der Kaiserzeit,” RM 78 (1971) 125-166
  • Maria Wyke, Parchments of gender: deciphering the bodies of antiquity, Oxford: Clarendon Press (1998) [Introduction Maria Wyke; 1. Ithyphallic Males Behaving Badly; or, Satyr Drama as Gendered Tragic Ending Edith Hall; 2. `The Mother of the Argument’: Eros and the Body in Sappho and Plato’s Phaedrus Helene P. Foley; 3. Talking Recipes in the Gynaecological Texts of the Hippocratic Corpus Ann Ellis Hanson; 4. Controlling Daughters’ Bodies in Sirach Jon L. Berquist; 5. Austerity, Excess, Success, and Failure in Hellenistic and Early Imperial Italy Emma Dench; 6. Poisonous Women and Unnatural History in Roman Culture Sarah Currie; 7. Discovering the Body in Roman Oratory Erik Gunderson; 8. The Emperor’s New Body: Ascension from Rome Mary Beard John Henderson; 9. `Ordering the House’: On the Domestication of Jewish Bodies Cynthia M. Baker; 10. Playing Roman Soldiers: The Martyred Body, Derek Jarman’s Sebastiane, and the Representation of Male Homosexuality Maria Wyke; 11. Sowing the Seeds of Violence: Rape, Women, and the Land Carol Dougherty ] / web link
  • Maria Wyke, The Roman Mistress: Ancient and Modern Representations., Oxford: Oxford University Press (2002) [1. Part 1. Love Poetry Mistress and Metaphor in Augustan Elegy; 2. Written Women: Propertius’ scripta puella (2. 10-13); 3. The Elegiac Woman at Rome: Propertius Book 4; 4. Reading Female Flesh: Ovid Amores 3. 1; 5. Part 2. Reception Taking the Woman’s Part: Gender and Scholarship on Love Elegy; 6. Meretrix regina: Augustan Cleopatras; 7. Oriental Vamp; Cleopatra 1910s; 8. Glamour Girl: Cleopatra 1930s – 1960s; 9. Meretrix Augusta: Messalina 1870s – 1920s; 10. Suburban Feminist: Messalina 1930s – 1970s] / bmcr
  • Wyke, Maria, “Woman in the Mirror: The Rhetoric of Adornment in the Roman World,” in Women in Ancient Societies edited by Leonie J. Archer, Susan Fischler and Maria Wyke, NY (1994) 134-151
  • Zimmer, G., Römische Berufsdarstellungen, Berlin (1982)
  • Zimmer, G., “Römische Handwerker,” ANRW 2.12.3, Berlin (1985) 205-228
  • G. Zuntz, “On the Dionysiac Fresco in the Villa dei Misteri at Pompeii,” Proceedings of the British Academy 49 (1963) 177-202